Hollywood Without Make-Up

The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

Soy

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

For over 40 years Val Kilmer, one of Hollywood's most mercurial and/or misunderstood actors, has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.

This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.

The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA. But what happens when they finally get what they want? And how? Filmmaker Dennis Empalmado explores the musings of Filipino expatriates and hopeful immigrants in "Naglalakbay" (Travelers).

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

Through five portraits of relatives and mentors, five expressions of resistance, Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

90's era home videos of a Mexican father starting a new life in the United States

David Lloyd George tours Germany, escorted by Nazi government officials, while his chauffeurs lark about with an SS Officer. Lloyd George was pro-German from the mid-1920s, and met Adolf Hitler in 1936. However, by 1938 he had become a leading opponent of appeasement with Germany. This film is believed to have been shot by George Ryder, Lloyd George's chauffeur.

While attempting to record life as it was, Arthur unintentionally documents his family’s unraveling.

Mimmo Villari is 29 years old in 1975, lives in Calabria, has a dusty guitar in the attic and the sacred fire of music that once burned his stomach is now turning into embers. In that period the first experiences of pirate radio arose in Italy. Mimmo is thrilled by the rumors about it and wastes no time: he builds himself an FM transmitter and thus sets up Radio Perla del Tirreno, the first pirate radio station in Bagnara Calabra. The voices of the radio reflect on politics, philosophy, civic education, creating a discourse that is the portrait of a society and an era.

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

In his hometown of Southampton, Ken Russell takes his young son and his aunts out to dinner, but the new traffic restrictions mean he can't get near the place. Traffic signs force him onto a sightseeing tour of town, then the ferry port looms ...