Hollywood Without Make-Up

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

For over 40 years Val Kilmer, one of Hollywood's most mercurial and/or misunderstood actors, has been documenting his own life and craft through film and video. He has amassed thousands of hours of footage, from 16mm home movies made with his brothers, to time spent in iconic roles for blockbuster movies like Top Gun, The Doors, Tombstone, and Batman Forever. This raw, wildly original and unflinching documentary reveals a life lived to extremes and a heart-filled, sometimes hilarious look at what it means to be an artist and a complex man.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.

Disjointed moments from the filmmakers’ daily lives during the past year. Captured on a 1985 VHS camcorder with color and luminosity distorted by its failing color Newvicon tube. Cut with distorted tape-recorded fragments of nostalgic broadcast television ephemera. Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. The occasional dot matrix time stamps in the corner of the footage somehow make it harder to place in time.

Soy

90's era home videos of a Mexican father starting a new life in the United States

A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

Documentary film and home movie about Dwight Core, Jr., a boy with Down syndrome. The footage was originally shot throughout the 1960s and 1970s by Core's father, Dwight Core, Sr. The footage was later discovered and completed by the filmmaker's grandson, George Ingmire.

Mimmo Villari is 29 years old in 1975, lives in Calabria, has a dusty guitar in the attic and the sacred fire of music that once burned his stomach is now turning into embers. In that period the first experiences of pirate radio arose in Italy. Mimmo is thrilled by the rumors about it and wastes no time: he builds himself an FM transmitter and thus sets up Radio Perla del Tirreno, the first pirate radio station in Bagnara Calabra. The voices of the radio reflect on politics, philosophy, civic education, creating a discourse that is the portrait of a society and an era.

A film between two countries. A film between two realities.

We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.

While attempting to record life as it was, Arthur unintentionally documents his family’s unraveling.

A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA. But what happens when they finally get what they want? And how? Filmmaker Dennis Empalmado explores the musings of Filipino expatriates and hopeful immigrants in "Naglalakbay" (Travelers).

David Lloyd George tours Germany, escorted by Nazi government officials, while his chauffeurs lark about with an SS Officer. Lloyd George was pro-German from the mid-1920s, and met Adolf Hitler in 1936. However, by 1938 he had become a leading opponent of appeasement with Germany. This film is believed to have been shot by George Ryder, Lloyd George's chauffeur.

This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.