An insoluble quest.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Reflections is about a loner who looks at those around him and daydreams about what his life could be like, putting himself in the place of those who are more fulfilled than he is.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
When WMIA news reporter Dana Diamond goes in search of the ultimate story she gets more than she bargains for. On a riot-torn Halloween night (Devil's Night) Dana is lured into an old, decrepit house by Leonard, a sadistic transient, promising her real-life violence she can capture on camera. Inside, her worst nightmares are realized as she now becomes the ultimate story. Dana is kidnapped by Leonard's crazed, incentuous family; Fermentia, the matriarch, and Pussey, her daughter, who live in a house full of stinking, rotting, decades old-garbage. Will Dana survive the unrelenting attacks of her merciless tormentors? Find out in the savage, unflinching, tour-de-force "FILTHY"
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
Daredevil cowboy Ned Ferguson is hired by John Stafford to stop the cattle rustling plaguing his ranch. On the way to the ranch Ned is bitten by a rattlesnake and is nursed by Mary Radford, who is writing a western novel. Ranch foreman Dave Leviatt tells Ned that Mary's brother Ben is behind the rustling. After Ben and Ned come to an understanding, Dave shoots Ben from under cover but Ben is sure that Ned double-crossed him. Mary will have nothing to do with Ned, even after Ned saves her life during a cattle stampede. Ned finally runs down the rustlers, and Mary sees him as a hero instead of merely putting him in her novel.
A Woman's Business
Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.
Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
An organ-grinder is playing beneath the window of a cranky old woman. She objects strenuously. The organ-grinder, egged on by Hooligan, keeps on playing until a policeman appears.
The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.
TV film, nominated for Best Experimental Series in 2010, in Streamy Awards.
Romantic political drama set in Mexico that costarred Dorothy Gish and Wallace Reid.
Little Monsters presents some of the animal kingdom’s strangest survival strategies: poison dart frogs, chameleons, praying mantises and scorpions, to name but a few. Thanks to 3D visualization, large audiences can experience a chameleon thrusting out its tongue at close range, rattlesnakes striking at their targets to within fractions of an inch, praying mantises hunting and hummingbirds feeding, filmed from inside the flower! And with its ingenious combination of slow-motion 3D and timelapse 3D, “Little Monsters” even improves upon state of the art 3D for greater impact, yielding unbelievable scenes the world has never seen and “felt” before.
The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on 35mm film by the Lumiere brothers in 1898. On August 2 of the same year, a demonstration of Alexander Michon's program took place, which included the film "Fire at an oil fountain in Bibiheybat".
Dr. Gar el Hama I