The Grebel's Floating Nests

A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.

Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.

London. A mysterious serial killer brutally murders young blond women by stalking them in the night fog. One foggy, sinister night, a young man who claims his name is Jonathan Drew arrives at the guest house run by the Bunting family and rents a room.

Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

A doctor's research into the roots of evil turns him into a hideous depraved fiend.

Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!

Nunu and Iago are in love with each other. The married guard Girgola wants to get hold of the woman. Girgola gets Iago arrested and makes Nunu marry his retarded brother. On one occasion he finds the woman alone and rapes her. Nunu jumps in the river to commit suicide but gets saved by Iago’s friends. Iago escapes from jail, but Girgola attacks his hideout and haves him killed together with his friends. Girgola also kills Nunu’s old father and accuses Nunu of the murder. Nunu is tied to a pole and dies in the exile.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Im nächsten Leben

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.