Artifact from the Future: The Making of 'THX 1138'

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

The cast and crew talk about making the film with some behind-the-scenes footage.

In 2012, Stephen Vaughan and Kay Ferreter are invited to address the congregation at St. Joseph's Redemptorists Church in Dundalk, Ireland for the Solemn Novena Festival. In a powerful speech, the pair describe their experiences being gay and lesbian in Ireland, feeling excluded by Catholic doctrine, and the importance of a more inclusive church.

From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.

A documentary that follows the recording process over three days and nights of "(I'll Love You) Till the End of the World" by Nick Cave and the Bad Seeds. A new version of the documentary appeared in 2005, and on the 2019 Criterion release of Wim Wenders' film UNTIL THE END OF THE WORLD.

George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.

When chimps go to war...

Neděle

Got You

Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.

However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

Set against the landscape of 80s teen culture and the dawn of yuppiedom, this documentary relishes 'Risky Business' for having the brains to break from convention, while celebrating the film's cultural impact.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

Is the past the future we want ? The race to get back to normal made us question this very idea of normalcy itself – Is it normal that our planet is dying because of our economic priorities? Is it normal when lockdowns only protect the rich while the economically disadvantaged are left jobless and take to the streets? Is it normal that our children and relationships are dependent on the thin addictive threads of technology Is it normal that we live in a world without kindness? This film uses poetry and visual metaphor to explore these questions.

In the hills of rural Pennsylvania, the leader of a local militia must prepare his men for the turbulent political landscape of 2020 while at war with his own conscience. For over ten years, 48-year-old Iraqi War Veteran and machinist Christian Yingling has commanded a troop of private militiamen and women concerned with the government’s infringement on their constitutional rights. The group practices paramilitary drills, stockpiles food and ammo, and attends gun rights rallies in preparation for a doomsday scenario. Now that a worldwide pandemic has hit, followed by a summer of racial injustice protests and a Presidential election like no other, Christian—out of work and nearly out of money—must confront his allegiance and choose to act or not.

A look at the cinematographers, editors, musicians, production designers and other talent of the Dirty Harry series.

An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.