The Education of Shelby Knox

This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."

An endearingly nostalgic exploration of the defiant Vietnamese new wave music scene, as well as a vulnerable and personal look at the filmmaker and her community’s revisiting of their unexamined past.

IN MY FATHER'S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che 'Rhymefest' Smith and his long-lost father reconnect and try to build a new future in Chicago's turbulent South Side. Himself a child of a broken home, Che hasn't seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father's childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian's shared journey to create a new legacy for themselves, their community and the next generation of family.

Four girls living in the lonely vastness of the USA share one passion: The wild world of rodeo. Although they move about in the powerful imagery of the American prairie and the myths of the Wild West, they give it new resonance and break free of it. In a world which used to belong to their fathers and brothers, they prove that "you ride like a girl" is not an insult but a compliment.

Documentary exploring the human tendency to be dishonest. Inspired by the work of social scientist, Dan Ariely, the film interweaves personal stories, expert opinions, behavioral experiments, and archival footage to reveal how and why people lie.

Explores the processes of political maneuvering which led to the Hyderabad communal riots in 1984. The city’s history, the provocative speeches of its politicians and the instrumentalisation of religious processions stands next to the testimonies and the striking visual accounts of the Old City’s working class – those who lose their livelihoods through violent attacks and long periods of imposed curfew.

The extraordinary life of Quincy Jones -- one of the 20th century's most influential and talented composers, musicians and music producers -- provides the basis of this offbeat, free-form documentary tribute. With little regard for formal timelines and traditional documentary biography methods, the film is an amazing patchwork of personal insights featuring a constellation of music stars including his long-time friend Ray Charles, Miles Davis, Frank Sinatra, Herbie Hancock, Ella Fitzgerald, Michael Jackson, Aretha Franklin, Dizzy Gillespie and rappers Big Daddy Kane and Flavor Flav, as well as politicians, filmmakers and other important people. Some of the most moving scenes involve Jones returning to his childhood home in Chicago and recounting honest and painful memories from his childhood. Jones does not shy from discussing everything -- from his mother's mental illness, to his marital problems, to his serious health conditions. He also looks frankly at his career.

ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.

A chronicle of the three points of a political triangle — the legal left, the illegal (armed) revolution, and the enemy which threatens them both: the armed reactionary right. It is 1987. The dictatorship of Ferdinand Marcos has just been overthrown. Newly elected President Corazon Aquino struggles to wrench control of the country from her own military. A Rustling of Leaves poses the key question facing the revolutionaries and the Filipino Left: Should the People’s Movement continue the guerilla war, or do they dare enter legal politics and reveal the hidden face of the revolution?

For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.

A very incisive and hard-hitting documentary about the way in which life for farmers and other people who depend on the countryside for their livelihood is changing for the worse as a result of the decline in home-grown food and the banning of fox-hunting. Farmers are having to kill calves which it is uneconomical to keep, paying token amounts to the local fox-hunt as unofficial knackers to dispose of the carcases for feeding to the fox-hounds. Why should society seem to care so much about the fate of hunted foxes and yet apparently so little about what happens to unwanted cattle which are cross-breed or the wrong sex? There is great resentment (as typified by the Countryside Alliance marches in London) to changes that are being imposed by a government that people in the country feel is neglecting their wishes in preference to those of the city-dwellers.

The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.

A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.

Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.

Such Hawks Such Hounds explores the music and musicians of the American hard rock underground circa 1970-2007, focusing on the psychedelic and '70s proto-metal-derived styles that have in recent years formed a rich body of unclassifiable sounds.

A documentary exploring the importance of revival cinema and 35mm exhibition - seen through the lens of the patrons of the New Beverly Cinema - a unique and independent revival cinema in Los Angeles.

Celesta and Karen Davis grew up in a loving family. They shared many wonderful childhood moments and, at the time, thought it all was normal. But when Karen and Celesta were molested in 1978, little was being done about sexual abuse. Their parents' lack of action was neither questioned nor challenged, including years of continued social contact with the perpetrator, his wife and their two young children. Twenty-five years later, feeling unresolved, they begin their quest to find the man who took advantage of their innocence and to ask him something that has haunted them for almost their entire life: "Why?"

A freewheeling portrait of Ken Kesey and the Merry Prankster’s fabled road trip across America in the legendary Magic Bus. In 1964, Ken Kesey, the famed author of “One Flew Over the Cuckoo’s Nest,” set off on a legendary, LSD-fuelled cross-country road trip to the New York World’s Fair. He was joined by “The Merry Band of Pranksters,” a renegade group of counterculture truth-seekers, including Neal Cassady, the American icon immortalized in Kerouac’s “On the Road,” and the driver and painter of the psychedelic Magic Bus.

The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.

Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.