Malaysia's multiculturalism is unrivaled throughout Southeast Asia and is reflected in its cuisine. Roving foodie Merrilees Parker begins her journey on the Malaysian peninsula with the native Orang Asli people of Kelantan She then heads off to the stunning Islamic East coast to cook a rich curry using freshly caught mackerel. In the ancient spice capital of Melaka, Merrilees cooks up a storm with fiery Laksa soup in the style of the Nyonya. In the Cameron Highlands, 5,000 feet above sea level, there is a notable English influence. The island of Penang is Merilees' next stop then she visits the capital, Kuala Lumpur, one of the fastest growing cities in Southeast Asia.
Alexej Čepička – Z vojína generálem
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
An epic ramble from Winchester to Canterbury, through Hampshire, Surrey and Kent with picnics, pints and much prettiness on the way.
Reinhard Heydrich was considered the most dangerous man in Nazi Germany after Hitler himself. The plot to kill him masterminded in England and carried through to finality in Prague in 1942, is told in this gripping dramatised documentary special. Featuring meticulous reconstructions, coupled with authentic historical film, some of it never shown before the film powerfully presents a vivid account of the only successful assassination of a leading Nazi in World War II. It also chillingly recreates the terrible human cost of SS savagery against the Resistance and the total obliteration of the village of Lidice.
Roving foodies Angela May and Bobby Chinn embark on two culinary journeys across Asia. Angela travels to the western coast of India to sample the cuisine and culture of the thriving melting pot that is Goa. Meanwhile, Bobby travels to Manila where he discovers a passionate and humorous people, and their love of food.
A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
After the Soviet invasion of Czechoslovakia in 1968, Libuše Jarcovjáková, a young female photographer, strives to break free from the constraints of Czechoslovak normalization and embarks on a wild journey towards freedom, capturing her experiences on thousands of subjective photographs.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
A look behind the scenes of the Czech gay porn boom.
A personal and political biography of the Octopus, or the Prague National Library project, but also a biography of the last years of the life of the author of this design, Jan Kaplický, who wrote in his diary in 1998: to win the competition and have one love. With this entry, read by Eliška Kaplicky at the beginning of the film, it is as if the world-class Czech architect wrote not only the "script" for the final decade of his life, but also for a film that follows the dramatic social story of creative imagination and the intimate relationship between a man and a woman.
A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.
A look at the many attractions, resort hotels, and other amusements at Walt Disney World in its first year of operation.
In 1971, author and film scholar Donald Richie published a poetic travelogue about his explorations of the islands of Japan’s Inland Sea, recording his search for traces of a traditional way of life as well as his own journey of self-discovery. Twenty years later, filmmaker Lucille Carra undertook a parallel trip inspired by Richie’s by-then-classic book, capturing images of hushed beauty and meeting people who still carried on the fading customs that Richie had observed. Interspersed with surprising detours—a visit to a Frank Sinatra-loving monk, a leper colony, an ersatz temple of plywood and plaster—and woven together by Richie’s narration as well as a score by celebrated composer Toru Takemitsu, The Inland Sea is an eye-opening voyage and a profound meditation on what it means to be a foreigner.