Dans l'ombre

Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Robert Mapplethorpe gets his nipple pierced while his boyfriend lends his support in person. Patti Smith lends her support via voice over as she rambles on about her childhood, her transvestite brother, her breasts and Bob Dylan?

The LA Sisters are outrageous, controversial, always fabulously dressed men and women who feel they are called to minster to the community as 21st century nuns.

Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

Musical short.

“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim

An afternoon in the park takes a dark turn in this tale of circumstances re-defining who we are.

One of the earliest posing-pouch films to feature sound.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead bride through brown English fields.

A third generation NZ born Niuean Female surfer, visits her Island of heritage for the first time only to discover there is no surf on Niue. But Mella's visit opens her eyes to the island's other beautiful qualities, the magical water, warm people, and clean unpolluted land. However she also discovers the low population has left the countries future hanging by a thread. This documentary is a record of Mella's journey to regaining her identity and first steps at becoming part of the solution in Niue's restoration of itself.

A sidewalk record sale takes an emotional turn when a chance musical discovery yields a powerful response.

Filmed on Super-8, Footsy is César Velasco Broca's first short, in which he explores the fetishistic obsessions of a socially repressed man.

Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".

Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.

The story tells of an extraterrestrial invasion in which the aliens kidnap bodybuilders for reasons that escape our understanding.

An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.