Ya nos saquearon (1980-1984)

"The 1984 Los Angeles Comedy Competition with Host Jay Leno," the first stand up comedy special featuring Jay Leno with 25 minutes of never-before-seen footage of Leno's classic comedy club. act that made him a star. The show took an "American Idol" approach to stand-up comedy with Jay Leno hosting a competition that features competing stand up comics Ray Combs, Howie Gold, Jeff Gerbino and Steve Oedekerk performing in front of a live crowd and a panel of celebrity judges that includes funnyman Fred Willard.

Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema. He took control of the Pathe film group in the late 1920s and went on to produce epic films such as Les Miserables. But Natan has become largely written out of French film history for various different reasons. Little attention is paid to him centres on his alleged career as a pioneer and performer in early gay and BDSM porn? The story is an excellent one, suffice to say that his ethnicity and subsequent rumours plagued Natan almost from the start of his career. His ‘comeuppance’ for his alleged transgressions is at the heart of this devastating documentary.

This documentary examines the experiences of the Abraham Lincoln Brigade, using interviews with survivors more than 50 years later. First, the film sets the context with the rise of Fascism. Then, in 1936, Spain's military revolts against the elected government, and the U.S. and Europe agree not to intervene. In response, volunteers snuck past border guards into Spain to fight with the Republicans. The men and women veterans describe the perils of reaching Spain, limited training, responsibilities of command thrust on the very young, deprivations of a soldier's life, lack of matériel, horrible rates of casualties, and ultimate vindication at the end of World War II.

James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.

Since 9/11 nearly 3000 families will receive nearly 7 billion dollars in compensation from the Government and public donations. For many it has been anything but compensation. For many it has ruined their lives for a second time.

Architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome and one of the most brilliant thinkers of his time. Fuller was renowned for his comprehensive perspective on the world's problems. For more than five decades he developed pioneering solutions reflecting his commitment to the potential of innovative design to create technology that does "more with less" and thereby improve human lives. He spent much of his life traveling the world lecturing and discussing his ideas with thousands of audiences. Now more relevant than ever, this film captures Fuller's ideas and thinking told in his own words.

On December 4, 1872, the unmanned Mary Celeste was found adrift in the Atlantic with its cargo fully intact. The mystery of this "ghost ship" remained unanswered for over 135 years. What happened to the Mary Celeste is widely regarded as the most famous mystery of the sea. Watch it unfold to its stunning conclusion, at last.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, who hands him a telegram, which he reads with apparent satisfaction. The characteristic walk and gestures of Mr. McKinley will be noted with interest by his friends.” (AMB Picture Catalogue)

Georgetown, 1901. A silver-mining town at 8,500 feet near the crest of the Rockies. Hooked somehow to the rear of a four-car passenger train is a camera that pans the scenery and, when the train goes around curves, looks ahead to see the engine and passenger cars: the passengers wave hundreds of white handkerchiefs out of the train's left-side windows for the benefit of the camera. The town comes into view; the tracks are above the town, so the camera looks down on dozens of modest rooftops as it pans the area. (AMB 1901, copyrighted 1903.)

Footage shot not long after the 1906 earthquake in San Francisco is edited together so that more than one scene and more than one vantage are included. We see fire raging. We see burned-out buildings, piles of rubble, and buildings with only one wall standing. People stand and watch; others walk purposely through the debris. A carriage passes; the camera pans the desolation. A horse-drawn cart is laden with a family's remaining possessions. A sign hangs outside one building: "A little disfigured but still in business. Men Wanted."

The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.

Two girls do one of their chores. Standing alongside a tree-lined farmhouse, two children who are about ten and four years old toss grain to a flock of about 50 domesticated ducks. A woman watches them briefly and then moves on. The older girl has her grain in a bucket, the younger one's grain is in her apron. The children stay in one spot, as does the camera; it's the ducks that move around. Chickens are in the background; only one braves the ducks' territory.

A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in.

Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white, all look tall, all wear identical high-buttoned uniforms and badges and carry a nightstick. Almost all sport mustaches. Behind the police comes a horse-drawn carriage.

Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.

The rise and fall of Commodore computers in the 70s and 80s as described by the people who created the companies and technologies.

"The Einstein Theory of Relativity" is the short version (587 m) of the lost American long version (1219 m) of Hanns Walter Kornblum's original German feature "Die Grundlagen der Einsteinschen Relativitäts-Theorie" from 1922 that is also lost.

King of disco in the 70s with the band Chic, producer of Bowie, Mick Jagger, Madonna, Daft Punk, Pharrell Williams and many others... Nile Rodgers is today pursuing his fascinating career. We take a behind-the-scenes look at the genesis of some of the greatest hits, and at the complex alchemy between Nile Rodgers and the biggest stars of the last 35 years: Madonna, David Bowie, Diana Ross, Duran Duran, Bryan Ferry, Grace Jones, Michael Jackson, INXS, Mick Jagger, Rod Stewart and David Guetta. What are the secrets of this genius of the music world, who has succeeded in transcending successive eras, reinventing himself every time?

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.