Richard Himber and His Orchestra

Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."

Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices. Soon, Jimmy finds himself trying to help the band by getting them gigs and trying to reconcile the family with his uncle.

Charged with the electricity of a heavyweight prizefight, " The Main Event " was filmed live at Madison Square Garden, a venue usually reserved for sporting events and rock 'n' roll concerts. Sinatrra dazzies the crowd with contemporay numbers as " You are the Sunshine of My Life ", " Let Me Try Again " and delivers the knockout blow with signature tunes " My Kind of Town " and " My Way ".

Ted Fio Rito and his Orchestra provide the title element with their snappy tunes fronted at different times by just starting out Betty Grable & Leif Erickson.

Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.

Circumstances arise that result in a man impersonating his uncle. As the "uncle", he finds himself pursued by his girlfriend's aunt, who does not approve of their relationship.

The manager of Kay Kyser’s band books them for a birthday party bash for an heiress at a spooky mansion, where sinister forces try to kill her.

The story of Fabian, who at the end of the 1950s returns from England to Poland. Together with a group of eccentric musicians, he forms a big band, which becomes a huge success after its first performance. The star of the band, and soon Fabian's sweetheart, becomes the seductive and mysterious Modesta. The king and queen of swing set off on a crazy tour of Poland. Their life, although reality does not favor it, begins to resemble, a Hollywood movie. This raises the interest of the relevant services.

A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).

Set in 1947, Knights of Swing is a feature film that chronicles a group of young jazz musicians whose dream is to form a “really swingin’ Big Band”. Unfortunately, things prove much more complicated when the community objects to the diversity of the band. Alliances form, and lines are drawn. What follows is soul searching, uplifting, and through music, our story illuminates forgiveness, healing and unconditional love.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

A high school bandleader captures the interest of a popular co-ed.

A country girl, wanting to break into show-business, comes to New York City and, by her actions, manages to restore the optimism of a jaded and disillusioned nightclub owner. Eventually, she marries the manager of one of the man's nightclubs.

This one-reel musical short, part of the WB/Vitaphone Melody Master series, features the music of trumpet-player and orchestra leader Henry Busse and his Orchestra, playing their own arrangements of various popular songs of the time...or in the Warners' song library. Those include "Wang Wang Blues," "Hot Lips" and "Along the Santa Fe Trail."

A midwest band leader and his lead singer share a love-hate relationship as they try for success in New York.

A singing bandleader signs on with an all-girls band.

Comedy about a bandleader with hypnotic powers.

Don Vincente is determined to make a success of himself and his band. He gets his break by performing at the Garden of the Moon, which is broadcast over the radio. The problem is that John Quinn is the club's ruthless, scheming manager who will do anything to keep Vincente under his thumb. John's assistant, Toni Blake, falls for Vincente, complicating the escalating war.

As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.