Resistencia

Observational documentary about the student protests that took place at the Universidad Austral de Chile during 2024, in the context of the implementation of the "Recovery Plan", which caused a wave of layoffs of professors and staff, increasing the educational crisis of the institution.

After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.

Many memories, some uncertainties, four young people and a soccer tournament.

Las Preguntas que Perdimos

Raízes Perdidas

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.

La Rafle du Vieux-Port

A family history archive as told by matriarch Azalu Mekonnen and her granddaughter Samira Hooks.

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

On October 17 and 18, 1961, during a non-violent demonstration against the imposed curfew, dozens of Algerians were murdered in Paris by police officers acting on orders from their superiors. For forty years, this crime has been concealed; yet these events, the deadliest on French soil since the Second World War, resemble, in some respects, the darkest hours of the collaboration. Why has this history been hidden? Under what conditions, and in the name of what reasons, did officials of a democratic state conceal the scale and gravity of such events?

In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.

Tan só o demo lembra

Les survivants, l'impossible départ après la Shoah

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.

Short film about racism.

Ressacs, une histoire touarègue