A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.
The story of the cult horror empire through interviews with cast, crew, and horror icons such as Don Mancini, Brad Dourif, Jennifer Tilly, Catherine Hicks, Chris Sarandon, John Waters, Fiona Dourif, Perrey Reeves, Gerrit Graham, David Kirschner, and dozens more.
Elmore Leonard, author of more than 40 novels, is renowned in the literary community. From his westerns and early novels of crime based in Detroit and South Florida, right through his complex and virtually plotless later work, Elmore Leonard dissected an America whose founding sins have continued to haunt it all the days. Leonard’s depiction of America is as real as Twain’s Hannibal, Faulkner’s Mississippi and Steinbeck’s Monterey. The new documentary ELMORE LEONARD: “But don’t try to write” explores the prolific author’s legacy and his influence on generations of writers. The documentary features exclusive images and previously unseen home movie footage, family photographs, and in-depth interviews with both literary experts and those who knew him well, including colleagues, family, and childhood friends.
A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.
They say that when they give you a name, they also assign you a destiny. The director of this documentary inherited hers from an aunt who died very young and whom she did not know. Through an 8mm film from 1962 and interviews with those who knew her, she will try to reveal her secrets and recognize herself a little more.
The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.
Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.
A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.
One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe. Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.
Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.
A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
A detailed account of the life and artistic career of legendary filmmaker Quentin Tarantino, from his early days as a video club manager to the scandalous fall in disgrace of producer Harvey Weinstein. A story about how to shoot eight great movies and become an icon of modern pop culture.
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
The documentary story of Harlan Ellison
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
Martin Scorsese, l'Italo-Américain