In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.
It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.
Collin
1936. The police agent Bakrachev has a task-to prevent the Bulgarian participation in the international brigades of Spain. Bakrachev has a double-an antique dealer who is in love with Sylvia, an anti-fascist. Because of her, an antique dealer steals Bakrachev's archive. It cost him his life.
The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.
Manuela is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years pass without a word from him, but his wife never gives up hope of seeing him again.
Prisoners await execution by firing squad when they are captured during the Spanish Civil War in this drama taken from the novella by Jean-Paul Sarte. Pablo is a loyalist jailed after he searches for his brother. An Irish mercenary and a Belgian physician are his cellmates. Flashbacks recall their lives before the war as they spend their last moments on Earth waiting for their date with death.
El rey y la reina
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
August, 1936. At the beginning of the Spanish Civil War, two soldiers are ordered to take and execute a prisoner, without knowing his identity. During the long journey, the doubt makes both soldiers confront their ideals, which will provoke a change of plans.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.
Spain, 1938. A woman is quietly planting seeds in her garden when two armed soldiers appear. Before being detained, she hides some of the seeds in her pocket.
Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.
Los ojos perdidos
At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?
Love story during the Spanish civil war in a psychiatric hospital.
Ángel Pedrosa (Álex González, Fernando Luján) returns to Bruma (Córdoba), his hometown, from where he had to flee during the Civil War. He returns to reconstruct his family's history, to forgive himself, and to remember others. Ángel stitches together the fragments of his life during Spain in the second half of 1939. His first love, the hatred of the post-war period, the intolerance and the passages he went through until he had to flee, hastily, out of his homeland to not return until many years later.
During the early moments of the Spanish Civil War, in a spanish village, Isidoro lives with his father Lucas and his horse Coco. Isidoro witnesses how his father, torn apart by their debts, wages his frustration upon Coco.
During the Spanish Civil War, a family of farmers must face the fascist threat. Tired of turning the other cheek, they will make an unexpected decision.