Short documentary about Naples, Italy.
Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.
Team Storror showcase Parkour on a stage never before seen - the rooftops of Asian megacities. The film follows team Storror on their exploration into what drives them to push the sport to such extremes, and the battles that face them when trying to shoot a feature film totally guerilla. RCA delves into the mental and physical preparation Parkour athletes have to undertake to make impossible 'leaps of faith', possible.
Short film about Hitler's rise to power in 1933
Short film about the formation and extraction of petroleum
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
A small city in the tropical north of Queensland, Cairns boasts a life that is leisurely and comfortable. The tempo quickens, however, at cane-cutting time when the sugar is harvested, and in winter when tourists come north to escape the cold. The Life In Australia series portrays Australian cities and rural centres as happy, lively places where good homes, abundant jobs, schools, hospitals and amenities provide the foundation for a relaxed lifestyle where sport, shopping, religion and even art combine to create a homogenous and prosperous society.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.
A travel documentary of 8 friends who were on vacation in Yogyakarta, Indonesia during the pandemic.
Two instants separated by 99 days conflict with each other.
A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A colourful look into the life of Canary Islands Immigrant Montse, her journey in Australia, and the story of connecting with your culture as a means of connecting with yourself.
Short film about the GDR state border
It's about the legendary 2005 Ashes series, which is arguably the greatest test series ever played, and made 'Freddy' Flintoff an England superstar forever
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?