Achtung Australien! Achtung Asien!

The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.

A discussion of the economic and political ideas presented in the book "The Incredible Bread Machine".

Three ethnic school kids from Sydney's western suburbs form a punk band in the 80s. The Hard-Ons fight racism, the music industry and the rise of grunge with their pop punk noise, irreverent humour and absolute commitment to just being themselves.

The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.

A visit to the Bantu in Cameroon and the indigenous town of Kumbo. The living and working conditions of the Bantu and Bororo tribes are shown as part of this expedition.

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

A film dedicated to Australia and travel around it.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

This Traveltalk series short visits Australia.

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"

Canberra, the National Capital of Australia, is a city which has been planned; a place where modern living is enriched by a lovely setting. But the hustling young city of today is expanding and developing, and there is emerging the pattern of the proud city of tomorrow.

Team Storror showcase Parkour on a stage never before seen - the rooftops of Asian megacities. The film follows team Storror on their exploration into what drives them to push the sport to such extremes, and the battles that face them when trying to shoot a feature film totally guerilla. RCA delves into the mental and physical preparation Parkour athletes have to undertake to make impossible 'leaps of faith', possible.

A visual exploration of the world of fungi within the wilderness of Australia.

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.

Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.

A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.

Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.

Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.