L'Extrême Droite dans l'Histoire : Du général Boulanger à Jean-Marie Le Pen

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?

A voyage to the center of the thought of Michel Foucault (1926-1984), a tireless explorer of the margins, a brilliant and atypical thinker, through excerpts from his books and lectures, and the use of images that resonate with them.

This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.

May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” supposedly coming upon the Champs-Élysées dressed in red, feared by some, did not march. Serge Moati takes a personal look at this episode, focusing on the relationship the president had with television, that he witnessed and played a role in.

Pianist Richard Glazier offers a unique view of Broadway and Hollywood music using fascinating interviews, piano performances and commentary in this broadcast special.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

The political ad "Peace Little Girl" aired during the 1964 presidential campaign ushered in a new era of the television attack ad. The campaign also reshaped the American political landscape in other significant ways ultimately ending up with the establishment of the contemporary geopolitical map of red and blue states. Includes interviews with historians and participants in the campaign.

Examines Civil Rights-era America through the prism of basketball at historically black colleges and universities.

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

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Mazarin, les liaisons dangereuses

Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.

Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.

Extranjeros de sí mismos

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.