Occupation 101: Voices of the Silenced Majority

A documentary on the executions that took place during and after the Finnish civil war in 1918.

The title of this film, which combines flicker effects and comic strip elements, refers to an old belief that each solar eclipse produces a war.

A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?

A group of Israelis and Palestinians come together in Oslo for unsanctioned peace talks during the 1990s in order to bring peace to the Middle East.

39-45 : la guerre des enfants

Archaeological gardens and tunnels are built. Khaled and other Palestinians lose their homes. Lawyer Ziad gets angry new clients every day. Arieh and other Israeli settlers move in. PeÅ Holmqvist and Suzanne Khardalian follow a turbulent Jerusalem, 50 years after Israel took full control.

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.

Director Yigal Bursztyn’s made-for-TV road movie takes viewers on a contemporary journey in which he traces the gospel and teachings of Jewish philosopher, Maimonides (aka the Rambam). Burszstyn goes from the Spanish city of Cordoba to Fes in Morocco, then onwards to Egypt and finally, Israel. In the course of this physical, geographical journey, Bursztyn also does a deep dive into Maimonides’s 12th century canonical work, The Guide for the Perplexed, which he uses as a tool to interpret present-day events and the conflicts between faith and rationale, and between religion, culture, and gender.

Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy. In Songs of War, director Tristan Chytroschek explores the extraordinary harmony between music and violence. Sesame Street composer, Christopher Cerf, always wanted his music to be fun and entertaining. But then he learned that his songs had been used to torture prisoners in Guantanamo and Abu Ghraib. He is stunned by this abuse of his work and wants to find out how this could happen.

A documentary by Dror Dayan and Susann Witt-Stahl, Germany 2021

It took only one night and a day. A night and a day to completely destroy what had been built up over centuries. Dresden, the Florence of the Elbe, a baroque work of art and one of the last cities, which had left by the bombing during the Second World War is still largely intact, sank in just 12 hours in rubble. At least 30,000 people were in a terrible fire storm end. The film depicts an example of the fate of the victims of this attack, the fate of Dresden but also that of the pilots, the fates of the survivors and those who could not escape the flames. He observed at the same time as it is happening in the British headquarters, the "Bomber Command". As a historical "real-time reportage" accompanies this award-winning documentary (Emmy Award-2005) with elaborate productions, the last 36 hours, in which Dresden, went back and put the audience into the events of the last months of World War II.

THE LIGHT AT WALDEN is a visual poem shot at Walden Pond, Massachusetts, interweaving pieces of Thoreau's texts and a war resister's personal journey on a wilderness island in Canada. The filmmaker, as a young man during the U.S. / Vietnam War, attempts to follow Thoreau's principles: building a cabin and living sustainably in the woods, "to front only the essential facts of life." This is one story among the nearly 125,000 war resisters in Canada.

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

Borderline

Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of being a policewoman, wearing a uniform, avoiding marriage, and earning a salary. Despite discouragement from her family, Walaa applies - and gets in. But her own rebellious behavior and a complicated relationship with her mother are a challenge, as are the circumstances under which she lives. Following Walaa from 15 to 21, this first-ever look inside the Palestinian police academy brings us the story of a young woman navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.

A behind-the-scenes look at director Paul Verhoeven's imaginative re-telling of Robert Heinlein's classic science fiction novel.

Dresdner Filmschätze - Teil 1 | Die 20er bis 40er Jahre

Brest, 1950. The war ended five years ago and nothing remains of the city. Massive bombings and intense fighting lasting more than a month turned the city, its docks, its arsenal, into ashes. Thousands of workers will build it up again, brick by brick. But with awful work conditions protests quickly arise and a strike begins. Violent confrontations happen during manifestations. Until one man falls. The next day René Vautier lands at Brest clandestinely to make a movie about the movement.