The Noon Hour

A film adaptation (funded by Ken Togo) based on an expose book by a person involved in the Japanese entertainment industry of the time. The book describes among other things the drug-fueled parties, orgies of the entertainment business and what some celebrities like Johnny Kitagawa among others were allegedly up to in their free time. Basically giving an open-book about the secrets of the entertainment-world. The film adapts and portrays some of the shocking scenes of this book, focussing more on the gay-aspect of the expose.

During World War I, Rin-Tin-Tin finds that he must rescue his master, a fighter pilot, from his wrecked aircraft. He also has to help him escape his rival, who has ordered him shot so he can have the girl they're competing for all to himself.

An operator at a mobile pager company has her life turned upside down by a seemingly senseless abduction. Currently considered to be a lost film (never released to the general public, after its theatrical premiere in Puerto Rico).

The hapless king of a small European nation must put up with a domineering queen, a daughter who wants to elope with her boyfriend, a peasant revolt and a scheming son who wants to be king himself and is plotting to take advantage of the situation.

Sandra and her sister Dody (Theodora) leave the Virginia countryside to join Washington's social set. Dody determines to marry wealth, while Sandra wants romance. Both girls' fortunes are reversed when Sandra falls in love with wealthy Rufus Fisk, whose stepmother threatens to cut him off if he marries her. Dody loves Gale Markham, an ex-soldier, once wealthy, in whom the beautiful Stephanie Moore also takes an interest. Gale returns Dody's affection, but he is reluctant to propose marriage because of his depleted finances. Both girls find happiness when Rufus sacrifices his wealth for Sandra, and Dody her desire to marry money for Gale.

A mother and her son's lives are upended by the arrival of a wealthy flapper to their small New England fishing village.

Manuel La Tessa, son of a wealthy South American family, meets Natalie Chester, a young Kentucky woman whose horse has won a race at a South American track. Manuel gives a party in her honor, where she is insulted by one of the guests. Manuel knocks down the offender. The offender, whose father is a powerful figure in the country's politics, challenges Manuel to a duel, but also hires a man to hide in ambush and kill his opponent. Manuel is only wounded and Natalie nurses him back to health. Natalie loves Manuel and seeks to uncover the mystery of the bullet fired at him during the duel. A lost film.

The Scuttlers is a lost 1920 American silent drama film produced and distributed by the Fox Film Corporation and directed by J. Gordon Edwards. William Farnum and Jackie Saunders star in this adventure.

A different kind of a story about a different kind of a girl---a modern, young cavewoman who whipped her way into the heart of a man who wanted to forget about love!

Samson Brown is a lazy and shiftless husband who lets his wife, Hannah, support the family. He is constantly insulted and annoyed by his in-laws, who live with them, and finally takes off for points unknown. At home, life goes on as usual with the exception of a former suitor who shows up to court Hannah when it is believed Samson is dead. While wandering around the desert Samson discovers a valuable radium deposit. The now-rich Samson plans to return home and sort out the family matters but first he buys a nightclub.

A hard-core socialite turns over a new leaf after spending time with a less fortunate family.

A young man uses tips from an absurd book to woo a woman he fancies.

A young woman with a Spanish father and an American mother living in Spain under the supervision of a strict aunt slips out to attend a bullfight. There she becomes fascinated by the toreador Carrita. A lost film.

A lost film.

Ivan Savonsky, popular society artist, meets Olga Kartoff, a young woman high in social circles, and while she is instantly attracted by him, he sees in her only the perfect model for his picture, "The Dagger Woman." Studying her, and by carefully playing on her emotions he gains her confidence, and afterward she consents to pose for him. The picture completed, she is grieved and then angered to discover that Ivan's interest rests solely in it, and how it will fare at the exhibition. She pleads with him in vain. The picture is pronounced a masterpiece, and Ivan is in his triumph as he returns to his studio. Here Olga has secreted herself. Humiliated by the reports circulated regarding herself and the artist, and unable longer to bear his disinterest she plunges a dagger to his heart and kills him.

Nettie is beloved by all the boys in the mining camp. Magoon, a big, jovial miner, loves her most of all, however, and asks her to become his wife. Nettie is in love with Colter, a young Easterner, and though it pains her to do so, tells Magoon of the fact. Magoon leaves town to become sheriff of the adjoining county. A murder is committed in the mining camp, and Colter is unjustly accused. Nettie rescues him from jail and sends him to Magoon. The sheriff with admirable self-sacrifice hides his rival, and, when the posse arrives, points out what Nettie has done for the boys of the mining camp. Colter is released, and all the boys escort him back to Nettie.

This shows the regeneration of a gang leader, who remains true to his first sweetheart after his change of fortune.

When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.

Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.