Australia's Twilight Of The Dreamtime

Colin Jones is of Aboriginal, Polynesian and English decent. The Aboriginal side of his family are from the Kalkadoon and Nunuckle tribal groups. His grandfather taught him about Aboriginal traditions and the art of his people. Colin is now a noted Artist. At present Colin is studying for his Masters Degree in Humanities. Much of the history that he talks about in this video comes from his own studies and research, conducted over many years. Colin's reason for making this video is to explain from an Aboriginal point of view based on his historical data, what has happened to his people over the past two hundred years since the white man arrive in Australia.

The story of a Warlpiri woman, Audrey, and her Sicilian partner Santo as they navigate through colonial systems to keep the children they care for together. Audrey Napanangka was born at a time when the world was changing for the people in the Central Australian Desert. Settler colonisation was permeating the desert and forced changes and the fusion of two worlds shifted Audrey’s life forever. Today, Audrey raises young people to walk in many worlds, by centering culture, language, and Law in their lives alongside mainstream education. The intimate footage filmed over 10 years in Mparntwe (Alice Springs), Yuendumu and Audrey’s Warlpiri country Mount Theo, showcases a heartwarming story about the power of kinship and family in what is known as Australia.

For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

The Europeans want to be forgiven for the tragic colonial period. The aborigines try to preserve their ancient roots from the present and the future. In the North Territory.

The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

Shows the Kakadu lands in Northern Australia and the people who live there, the Gagudju Aborigines, their story and their culture.

A story of resistance across generations, the power of family and the unrelenting struggle for justice in a country that remains in denial.

In 1978, Tom Lewis appeared in the Australian feature film, The Chant of Jimmie Blacksmith. The life of the character he played was hauntingly close to his own, a young, restless man of mixed heritage, struggling for a foothold on the edge of two cultures. Tom's mother is a traditional Indigenous woman of southern Arnhem Land, his father a Welsh stockman who he never really knew. Yellow Fella is a journey across the land and into Tom's past, as he attempts to find the resting place of his father and to finally confront the truth of his most inner feelings of love and identity.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

A film collaboration between Quenten Agius (Aboriginal storyteller) and Kim Mavromatis (mixed media producer). Filmed on Ngadjuri country, Mid North and Southern Flinders Ranges region of South Australia. The film incorporates 10 years of archival material, shot with 8 different cameras, including 3 drones and a mobile phone camera.

Ray Martin goes on a grand quest to locate a mysterious outback rock formation he spotted and photographed from an airliner 37,000 feet in the air.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

Two Aboriginal families live like their ancestors have for centuries in this anthropological documentary. The gathering of food is the main focus as women harvest grass seeds to make a primitive flour for bread. Grubs, lizards, and fruit are also on the menu, with the only contact with the modern world being their trek to a government compound for much-needed drinking water.

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

Young Aboriginal people who are traditional custodians in Victoria explore the Treaty process with questions, concerns and their opinions. Sharing their insights into what has been happening and what needs to happen.