Vincent Gallo as Flying Christ

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

A man is confronted by parallel versions of himself as he contemplates his life choices.

Feinstein's "Spring and Winter" explores themes present throughout her oeuvre. The narrative is derived from Giambattista Basile's "Sun, Moon, and Talia" (1634), which is considered the original version of the "Sleeping Beauty" story. Fairy tales, kitsch, and the intricacies of femininity commingle as Feinstein performs as a paper doll, maiden, and crone. The spaces between the dichotomies of fiction and reality, young and old, sexual and pure are disclosed within the scope of feminine identity within this film.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Hieronymus Rivera (Jonathan Rosado), a strong force in the New York fashion underground, is offered the deal of a lifetime by Cecilia Meadows (Jessica Shepherd), a government official who is the head of a new secret program called DAFTCA. What begins as a simple agreement to design uniforms for the organization, soon finds Hieronymus in the center of a vast web of conspiracy.

A stunt pilot comes across a prototype jetpack that gives him the ability to fly. However, evil forces of the world also want this jetpack at any cost.

A man reflects over his life during a burial.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Two large, ignorant bullies ruthlessly pursue a small, brilliant boy in this young adult Roald Dahl short story.

A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St. Mark prep-school community, from the 'weird drama and film students', to the most infamous teachers of the year like Mr. Burns and Mr. Whatley, along with many references to music and film of interest at the time; Consistently from the perspective of an intrusive senior, according to Mr. Whatley, "had the worst case of senioritis he had ever seen." Shot entirely in Super-8, narrated by the director.

Thurston Moore, Kim Gordon, and Lou Reed roam the streets of Los Angeles searching for James Woods.

"A Brutalist film-poem about the nature of a family tree and the macabre ancestral tales that work their way into your identity, whether you like it or not. A collaborative work that blends the poetry of Adelle Stripe, the music of C.A.R., and my hand-processed Super 8 imagery." — M.J.

A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.