Through artistic manifestations, a group of LGBTQIA+ people performs public stagings that raise debates on issues of gender, social inequality and prejudice in the streets of downtown São Paulo. Messing with the popular imagination and providing debates, the artists explain their daily struggles to anyone who is interested in acquiring a new perspective on the most subtle layers of intolerance.
In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.
A young runner adventures solo from LA to Denver seeking answers and healing following a special love lost.
Dentro, fora do Brasil
A queer photographer documents nightlife, drag culture, and chosen family in Lancaster, Pennsylvania, revealing a thriving LGBTQ+ community and challenging assumptions about where queer joy can exist in small-town America. Winning 'Best Documentary' awards from Jim Thorpe Independent Film Festival, Red Rose Film Festival, and Appalachian Queer Film Festival, the short film serves as a proof-of-concept that's currently in the works.
George Carlin's first ever comedy special, filmed live at the University of Southern California. Here, he talks about monopoly, flying on planes, random thoughts, walking, and other things.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Serving life in prison for murdering their parents, Lyle and Erik Menendez speak out in this documentary explaining the shocking crime and ensuing trials.
On her birthday, Luísa Davison (Lulu) has an appointment on the other side of the city Brasília. Her grandparents offer to drive her, but she chooses to go by bike instead. Along the way, Lulu runs into friends and cycling activists, sparking a real debate about urban mobility and the dangers cyclists face in the world.
CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.
CAMBODIA/KAMPUCHEA draws on unique propaganda film and archival material from the Khmer Rouge, Vietnam and other sources. This is set against the grim realities of the Kampuchean tragedy. As a continuing theme, the film features exclusive interviews with Prince Sihanouk, who offers explanations for and insights into the role he has played in the fate of his luckless country. This definitive film study delves to the roots of the conflict, making sense of the madness, the politics and contradictions. It captures the epic spirit and passions of a people when a whole world is overturned.
The 70th anniversary of the birth of El Santo and the wrestling debut of his son mark the starting point for which El Hijo del Santo will take us into his story. His family history goes beyond the ring through personal memories and records, and brings us closer to his childhood with a father who had a double identity, to the discovery of the hero at home, and the reasons for wanting to continue this legacy.
Greece is in crisis. But the economic crisis is not the only one. An asylum crisis has gripped the country at this time of severe austerity. And it hits the most vulnerable: Refugees, including minors, who have left everything behind fleeing their countries to find safety. In Greece, they are left destitute and on the streets, unable to apply for asylum and threatened by escalating racist attacks. Trapped in Greece, they have one message for Europe and the rest of the world: Let us leave!
BBC's Simon Dring's film focuses on the EPLF, Eritrean People's Liberation Front, which is battling Ethiopian forces. The film includes interviews with Ali Sayed, EPLF head of foreign missions, and Mohammed Ramadan Nour, General Secretary.
Cat experts dive into the mind of the feline to reveal the true capabilities of the pouncing pet in this captivating and cuddly documentary.
大河流日夜
At the age of eighty-two, Carrete wants to fulfil a dream before the end of his career as a dancer: to perform in a great theatre in New York. Despite his tireless enthusiasm, his health tells him that his days as a flamenco master are coming to an end. His art saved him from starvation and the cinemas sheltered him from the cold during the Spanish post-war period. And it was on the big screen that he met his admired Fred Astaire, who settled in his imagination as a fantasy to aspire to. And as he awaits his long-awaited American adventure, Carrete looks back on his past. Joaquín, one of his sons, who was a talented guitarist and whose hopes were dashed by prison, wants to play again. Father and son try to find each other again, while the mirage of the giant skyscrapers fades away, revealing the reality.
Saad, Thruben and Andrija are Swiss citizens and therefore liable for military service. The three officers proudly train to defend the country. But would they also go to war against their countries of origin?
The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.
A documentary examines the claims the Tuohy family have made about adopting Oher for over a decade, casting scrutiny on the conservatorship they put in place which has now been terminated by a judge. Oher’s litigation with the Tuohys continues, with the latter filing a sworn document on November 8 that they paid Oher more than $138,000 in profits from the film. Oher is expected to file any counterclaims by the end of November.