The first Surrealist film perestroika years.
Pig Chicken Suicide is a veritable assault on the senses, mixing violent images of animal slaughter, racial strife, and surrealism to tell the story of two Koreans living in Japan whose love is destroyed due to overwhelming racial discrimination. In explicit abattoir photos and much symbolism, Matsui tells about the struggles of ethnic Koreans in Japan. A butcher's love affair and his relationship with the animals he kills frame the story.
Susan, kidnapped and trapped in a room, lives in a cycle of apathy and emptiness. In a catatonic state, she repeats her days slowly, moving disjointedly, as if she were no longer part of herself.
The story of a sex worker struggling to connect with the people around him. As his world turns increasingly hostile, a descent into isolation brings him face to face with his past.
Following a one-night stand, a young insomniac wakes up in a luxurious Manhattan apartment where things are not what they seem. Something about his host is off. When she reveals that they are not alone, the red flags escalate into a waking nightmare.
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.
While grieving the loss of his younger brother, an emotionally broken young man struggles with his guilt and grief as a strange and otherworldly entity begins to watch him, forcing him to confront his loss and inner turmoil.
A popular live streamer gets invited to a podcast where the questions begin to blur the line between reality and his traumatic past.
The Apostle John receives disturbing visions of the approaching AntiChrist, the impending apocalypse, a series of demonic creatures, and a psychedelic descent into hell.
As a boy in a coat wanders through a corridor, surreal short films are shown, each door revealing a dreamlike scene that blurs the line between memory and imagination.
A troubled college freshman resurrects his imaginary friend to help him cope with a violent trauma.
A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.
Baris is a young man who finds various deception methods to continue his life. The reason for this situation is seen as a reflection of the traumas he has experienced at past. However, there are bigger mysteries than thought.
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
Every time he tries to leave the house, a boy repeatedly wakes up in his bed, like a dream that never ends.
A young woman resorts to drastic, self-destructive measures to rid herself of a mysterious, otherworldly creature known as 'The Guest'.
A woman grapples with the traumatic childhood memory of losing one of her baby teeth.
A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.
A young man visits his ancestral home accompanied by his guardian and their wives, where he is plagued by the memories and influence of his murderous, psychosexual father.
Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min