A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
Sylvester Stallone stars as hard-luck big-rig trucker Lincoln Hawk and takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship. Relying on wits and willpower, Hawk tries to rebuild his life by capturing the first-place prize money, and the love of the son he abandoned years earlier into the keeping of his rich, ruthless father-in-law.
The Middle Eastern oil industry is the backdrop of this tense drama, which weaves together numerous story lines. Bennett Holiday is an American lawyer in charge of facilitating a dubious merger of oil companies, while Bryan Woodman, a Switzerland-based energy analyst, experiences both personal tragedy and opportunity during a visit with Arabian royalty. Meanwhile, veteran CIA agent Bob Barnes uncovers an assassination plot with unsettling origins.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
Gösta is a lorry driver and has been married to Birgitta for eight years. Their marriage is only held together by their daughter. Gösta picks up girls along the roads and during a drive to Malmö he stumbles on the singing actress Irene. Gösta is captivated by her romantic presence and her joy of life. Besides picking up women, Gösta is sometimes affected by sudden seizures. His wife is unaware of this.
In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.
Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.
Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.
Three young people on a road trip from Colorado to New Jersey talk to a trucker on their CB radio, then must escape when he turns out to be a psychotic killer.
A disabled Vietnam vet sets out to prove that disabled people don't have to be helpless by starting a 180-mile trip in a wheelchair. On the way he finds his life is endangered by a deranged truck driver.
Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.
Keon wants his friend's girlfriend so he tries to take her by force but she gets away. Instead, she runs into a truck driver who rapes and murders her. Keon is wracked with guilt. As the investigators close in on Keon, Madam Sun-wu hides him. Keon becomes Madam Sun-wu's toy-boy. He also becomes a nude model for Ma Mi-ae, Madam Sun-wu's friend. Mi-ae is drawn to Keon. Mrs. Yun, whose husband is impotent, also looks to Keon to satisfy her desires. As the investigation's net tightens, Keon's life falls apart. Mrs. Yun dumps Keon on a road in the middle of the night. The prostitute Lan helps Keon out. However, in despair, Keon runs out into the rain and screams. On TV, the news broadcast the capture of the real criminal.
Truck drivers Steve Hackett and Bill Purvis are fired from their jobs with the West Coast Trucking company for not using second-gear going down steep grades. Davis, the company vice-president, surprisingly asks them to carry a load of merchandise to Arrowhead and offers a $1000 bonus. He tells them it is a load of lettuce. Several miles out of Los Angelese, they are stopped by a mob of lettuce-farm workers on strike. When the first crate is tossed off the truck, it explodes and the two pals learn their merchandise is a cargo of dynamite. The workers let them proceed and they crash into a car driven by Mary Stevens, whom they had met at a restaurant. She and her dog, "Butch" (played by a Credited dog named Stooge), join them and they deliver their cargo, and learn unscrupulous real-estate operators have jammed the locks on the dam in order to ruin the ranchers and farmers and take over their property.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.
Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.
A young woman relives the events leading to up an act of violence, as she leaves her house and walks to a police station to meet with the victim.