Collin
Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.
Based on the life of Marino Ayerra, who was appointed as parson priest of Alsasua (Navarra) two days before the start of the Spanish Civil War.
Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.
Love story during the Spanish civil war in a psychiatric hospital.
In the last four days of his life, fear took over the figure of the poet Federico García Lorca.
Ángel Pedrosa (Álex González, Fernando Luján) returns to Bruma (Córdoba), his hometown, from where he had to flee during the Civil War. He returns to reconstruct his family's history, to forgive himself, and to remember others. Ángel stitches together the fragments of his life during Spain in the second half of 1939. His first love, the hatred of the post-war period, the intolerance and the passages he went through until he had to flee, hastily, out of his homeland to not return until many years later.
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.
During the 30s, the young Catalan teacher Antoni Benaiges takes office at a rural school in northern Spain. Antoni has a simple project: he wants to teach his pupils to write and to be free through the use of the printing press. But his dream ends very soon. An individual and collective story in memory of the victims of the Franco's repression.
A Jekyll-and-Hyde colonel toughens up a 17-year-old aristocrat for the Spanish Civil War.
"The Anarchist's Wife" is the story of Manuela who is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years, pass without a word from him, but his wife never gives up hope of seeing him again.
August 1936. After being separated from her family by the Falangists, Concha Monrás spends her last days in a prison cell. With her young cellmate Adela, she reconstructs her relationship with Ramón Acín and remembers his life as an artist, a pedagogue and a man.
In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.
Milicianes
Prisoners await execution by firing squad when they are captured during the Spanish Civil War in this drama taken from the novella by Jean-Paul Sarte. Pablo is a loyalist jailed after he searches for his brother. An Irish mercenary and a Belgian physician are his cellmates. Flashbacks recall their lives before the war as they spend their last moments on Earth waiting for their date with death.
Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.