Burlesque Fairytales

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

Jugni (Firefly) is the beat of the soul, the free-flying spirit. Jugni is Vibhavari (Vibs). Vibs is a music director, working on her first big break in the Hindi film industry. When work and home affairs, with her live-in boyfriend Sid hit a high tide, Vibs hits the road with a glint of hope; to find music. The journey takes her to a village in Punjab in the search of a Bibi Saroop, whose voice holds the promise that Vibs is searching for. But as the twist of fate would have it, Mastana, Bibi's son and a proficient singer himself, is the voice and man who winds his way into Vibs' heart. From here on, Jugni is about striking balances, making tough decisions while trying to soften the blows and dealing with the studied dramatic turns and unpredictabilities of life and finding the place which one can call home; home of the heart, where the firefly is at her brightest.

Sarah (Ann Eleonora Jørgensen) and David (Magnus Crepper) meet for the first time in ten years when she arrives at his summer residence. David needs help finishing a play, which turns out to be a dramatization of their long, troublesome relationship. The film presents three love stories about seemingly different couples; all named Sarah and David, but played by different actors in respectively their 20s, 30s and 40s.

A story of relationships that explores the intricacies of the married life, of life-long companionship, of promises and expectations and love.

Set in the present times against two backdrops, New Delhi with its shining buildings and apparent cosmopolitan veneer thinly veils an underbelly of crimes against women and corruption at all levels. And a small village just 80 kilometers from New Delhi that is stuck in a time warp. Kajarya a woman in her early thirties has a strange but important place in the village social structure; she murders unwanted girl infants in the garb of religion. Meera is a rookie reporter.

A white man goes on trial for having raped a black woman.

A plucky middle-class girl gets pregnant out-of-wedlock but refuses to let her misfortunes dampen her spirit and love of life. Against all odds, Rosenda brings up her daughter all by herself, rejecting offers from Robert Cuevas, the father of her baby.

This drama is based on the serialized comics of Nerissa Cabral.

A short 1982 film that offers a thought-provoking look at stereotypes about physical handicaps as seen in the story of a teenager with cerebral palsy who decides to try out for cheerleader.

The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.

Charlotte Schmutte, a Bible-thumping mousie type, runs a baggage taxi service on the tiny island of Helgoland. When she gets a glimpse of ex-prostitute Ayse on the jetty, she thinks an angel has landed; a herald of Judgement Day... In fact, Ayse is an ex-prostitute who's come to claim her inheritance: Horst, a regular costumer, has left her his entire fortune, which consists mainly of a greasy dockside snackbar.

A young man meets a girl in a village overlooking a desert area. They get to know each other and meet frequently. After a while, the young man, the girl's fiancé, meets another girl from a foreign country and proposes to her after the foreign girl succeeds in keeping the young man away from his first love. The people of the village learn that the girl is pregnant from her fiancé, so they expel her from the village.

An elderly man one day realises that he will leave his wife for the much younger Maria. His wife reacts stoically. She is neither angry nor unhappy but thinks he should be allowed to sow a few wild oats. She is convinced that he will come to his senses and return to her bosom. He does - but not quite in the way she had imagined...

Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore respectively. Each story occurs at a specific mealtime, and seeks to interpret the frailties and complexities of love through different Asian perspectives. All three stories are tethered with the question, "Will you marry me?" Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.

Soon after a country singer moves in with her band's new manager, he's found slain and she's a suspect.