Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
In the ruins of a strange city, a young girl takes care of a large egg she holds carefully in her arms. She bonds with a boy who is searching for a bird he saw in a dream.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geometry of a sex. Outside is a corrupt clue. Incisions are the incantation of melancholy. No way out. (Industrial drone improvised on improvised images, deficient results).
A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
Mix of arthouse, comedy, horror. A man who has committed numerous crimes rescues a dog. An unique experimental movie in which a dog who died in a traffic accident after being tossed around by humans is reborn as a heretic and attempts revenge on humans. Under the guidance of the devil, he is reborn as a scarecrow to bring the Blood Festival. A 35mm independent film by the director who loves to make movies, but is not interested in professional film directors. The director who was shocked to see a picture of a dog abused and abandoned by humans, devoted his passion to this unique work that took seven years to complete.
Within a single space, the director treats the sorrows of two people married to each other.
A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.
Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Four people recount different versions of the story of a man's murder and the rape of his wife.
Corpus II Home presents a fatalist visualisation of the psychological effects of the world coming to a standstill. The mind becomes hyper aware of itself, every thought, every movement is methodically registered and evaluated, creating a suffocating environment that will have brutal consequences.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
A restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.
Still it's really tall. Still it's really floundering/falling/fading.