Mystery Hole//Boring Soul

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.

Beneath towering Brutalist architecture, a man is driven to do what must be done.

A film about friendship and the occasional loneliness.

An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.

An ambient representation of depression with a slowly fading score building towards an uncertain climax.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

A short student film reflecting on the reality of living in the modern urban dystopia

Bye Bye Analog World

Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.

Kékhalál

Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.

Nine films grouped together that form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history.

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb. (Lauren Berliner/Greg Cohen)

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

A visual interpretation of the poem by E.E. Cummings about the life cycle of a townspeople and of one ignored couple.

Roda Viva Roda Brasil