Fight of the Century

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne, to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

Muhammad Ali's life story up to the late 1970s, which includes his Olympic boxing triumphs as Cassius Clay, his conversion to Islam, his refusal of the Army draft and the legal battle after being stripped of his World Title.

An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

Tom Doyle und Eva Hesse

Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.

Showtime's "In the 20th Century" is a millennium-related series of feature-length documentaries in which famous directors take on major subjects of their choosing. In the fourth of the six films, "The Pursuit of Happiness," filmmaker Robert Zemeckis delves into the history of America's relationship with mind-altering substances over the past 100 years, presenting interviews with historians and professionals in the drug treatment field, interspersed with a treasure trove of film and television clips depicting the highs and lows of smoking, drinking and drugging in the 20th century

Michał is among the soldiers quartered in a village near Lublin. By accident, he goes to the palace and visits the magnificent building, where he meets a widow Maria. Meanwhile, local peasants do not want to wait for the start of land reform. They appoint their own committee and want to deal with the division of property themselves.

Marta comes to Lublin as a captain of the Polish Army. She is looking for information about her son - Stefan, whom she last saw years ago, when she went with her husband to fighting Spain.

Stories about Tartu and Southern Estonia, capturing the tricks and mysteries about the arts of survival. Renowned filmmakers from Estonia and abroad bring us uniquely wild tales of people, communities, and the culture they live in. In these stories, we meet peculiar vehicles known as “karakat” from Peipsi, charming non-places of Tartu, the wild German woman living an off-grid life without water and electricity, mischievous goats and crazy village parties, the diverse Annelinn residents and nostalgic Petseri, slime mould and space exploration, and of course, the artists of survival from today and past.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The film follows a laid-back private investigator Kyd Thomas who gets thrust into Hollywood's world of crime after he meets Laura Cassidy. Laura is a cocaine addict who Kyd saves from being beaten and raped.