Je ne sais pas si c'est tout le monde

Three farming families in Hanyuan, China, strive to give their children a good life in the midst of an ecological crisis, as widespread use of pesticides leads to a dramatic decline in bees and other pollinating insects in the valley.

RiverBlue chronicles an unprecedented around-the-world river adventure, led by renowned paddler and conservationist, Mark Angelo, who ends up uncovering and documenting the dark side of the global fashion industry.

When Danish filmmaker Lea Glob first portrayed Apolonia Sokol in 2009, she appeared to be leading a storybook life. The talented Apolonia was born in an underground theater in Paris and grew up in an artists’ community—the ultimate bohemian existence. In her 20s, she studied at the Beaux-Arts de Paris, one of the most prestigious art academies in Europe. Over the years, Lea Glob kept returning to film the charismatic Apolonia and a special bond developed between the two young women.

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.

Bacon-Freud, face à face

This documentary follows three couples to see how things turned out several years after their weddings. The film presents challenging ideas about relationships, as it answers the question: Why is marriage so difficult?

World-famous architect Louis Kahn (Exeter Library, Salk Institute, Bangladeshi Capitol Building) had two illegitimate children with two different women outside of his marriage. Son Nathaniel always hoped that someday his father would come and live with him and his mother, but Kahn never left his wife. Instead, Kahn was found dead in a men's room in Penn Station when Nathaniel was only 11.

Facing a mid-life crisis, a journalist discovers the regular folk moonlighting as indie wrestlers, who help him transform his childhood dream into reality as "Fake Nooz Neville."

Les bouillons parisiens, une histoire de goût

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.

The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

The beauty of the Arctic is breathtaking. For as long as we can remember, the Arctic has been associated with inhospitable cold. But the climate is changing, and with it the northern polar region, which begins beyond latitude 66.5 degrees north. Climate change is now happening four times faster north of the Arctic Circle than on the rest of the planet, making the future outlook dire. At the moment it is still possible for polar bears to raise their cubs, but hunting is becoming increasingly difficult on the drastically shrinking pack ice. The disappearance of the ice also affects the marine fauna. The wintry ice bridge between Canada and Greenland is threatened with collapse. The unstoppable melting of the permafrost, which has held the tundra together for thousands of years, is worrying. But the Arctic is still one of the wildest and loveliest regions on earth. A documentary visit to the Arctic - as long as it still exists.

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.

God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.

Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with "Pas vu Pas pris", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his "fighting spirit" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !

With a team of the world's foremost historic and marine experts as well as friend Bill Paxton, James Cameron embarks on an unscripted adventure back to the wreck of the Titanic where nearly 1,500 souls lost their lives almost a century ago.

Although a real awareness of the populations is underway - the multiplication of natural disasters and heat records helping - the human activities responsible for global warming remain unchanged, as if the threat was unreal. This collective immobility could have its origin in the brain. A number of cognitive biases impede judgment.

How’s the Big Everything? Garba asks Nicole. For them, the “Big Everything” encompasses family, politics, History, daily life, the stars, small things, and time passing like the wind. By delving into their memories, at the time of Niger’s independence, we come face to face with the complexity of the present.