Bad Hombres

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Le point de vue du lion

A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.

Notes about identity

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

Sombras

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being of this place--nor of any other really--but of existing in a condition of permanent not-belonging, of juridical non-existence. He comes to signify the itinerant body, bound to string along a chain of territories, never reaching a final destination. Probing the protocols of access time and again, he moves through non-civil places, waits for status in off-social spaces, only to remain suspended in the post-humanist lapse. What used to be a state of temporary exemption--survival in the fluid time-space of legal deferral--has slowly consolidated into the prime mode of migratory subsistence. The site of this existence is connected but segregated; it is the world system of contained mobility. (Video Data Bank)

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

James A. FitzPatrick takes a look at colorful Guatemala.

This Traveltalk short visits southern Mexico.

This Traveltalk series short chronicles the sights and sounds on a train ride from Veracruz to Mexico City.

This Traveltalk series short visits two of the most important cities on Mexico's Yucatán Peninsula.

We begin this short visit to Guatemala at the port town of Livingstone, then journey up the Rio Dulce. We stop to watch men tap the trees, harvest the sap, and load the product onto small planes. At a local market, we see indigenous life much as it's been for hundreds of years. Then it's back to the coast, to the prosperous Isla de Flores, a trading island.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Emiliana, a black kitten from Barcelona, has led a remarkable life. Having weathered a divorce, multiple relocations, and a move to a new country, she now dreams of returning to her beloved Spain. Her journey reflects resilience and a longing for home amidst the many changes she has faced.

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.