Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
On a market day in Kernascleden, two Breton women exchange their hair for a few coins. The hair becomes hairpieces. Last scene, an elegant Parisian removes her hat and exposes her generous wig skillfully coiffed.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Short documentary on a central african tribe called 'The Chillouks'.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
A short documentary about the final weeks of an independent video store in Woodbury, CT.
Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.
A short black-and-white silent documentary film featuring one dog jumping through hoops and another dancing in a costume, which was considered lost until footage from an 1896 Fairground Programme was identified as being from this film.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
Fantastic Flowers is a compilation of short silent films produced between 1906 and 1920, displaying amazing colours that were applied to each frame using the Pathécolor process, or other similar stencilling techniques. Bonsoir – La Fée aux fleurs (1906) / [Bloemenvelden Haarlem] (1909) / Les Chrysanthèmes (1907) / Le Chrysanthème, roi de l’automne (1914) / [Les Tulipes] (1907) / Les Fleurs dans les jardins (1914) / L’Après-midi d’une japonaise (1920) / The Beauty Thief ([1920]) / La Fée printemps (1906) / [Het schoonste uit de natuur] (1912?) / La Culture du dahlia (1911) / [Hollandse Tulpen en Klompen] (1920?) / Fabrication des fleurs artificielles (1911) / [Bonsoir tableau] (1906)