This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
A portrait of an unforgettable transgender schoolteacher in Herat, Afghanistan, who shines even with the prospect of the Taliban’s return.
According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
On September 9, 2001, Commander Massoud, a hero of the Afghan resistance, was assassinated by two members of al-Qaeda posing as journalists. Two days later, the terrorist organization struck the United States. However, a few months earlier, during a visit to France, Commander Massoud had come to warn the West about the disastrous plans of al-Qaeda and the rise of the Taliban. He asked the West to exert pressure on Pakistan, a country that supplied arms, supported and sheltered the Taliban, but which was also a major buyer of French arms. He was not listened to.
"Afghan Cycles" is a feature documentary about a generation of Afghan women who are pedaling their own revolution, aggressively challenging gender and cultural barriers using the bicycle as a vehicle for freedom, empowerment and social change.
The British Regisseur Phil Grabsky has documented an Afghan boy's life for 10 years.
Australian filmmaker Jordan Bryon has been living and working as a journalist and filmmaker in Afghanistan for more than six years. After the departure of US forces, he stays to document Afghan life under the male-centric Taliban leadership. With his colleague, Teddy, he heads to a Taliban stronghold in the north-west of the country, shortly after he started transitioning. If the Taliban knew he was trans, they would likely kill him. It’s a chaotic time, for the country and for Jordan, as he navigates his transformation and looks to the future.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
This film - without commentary and simply accompanied by local music - relates the 1969 ascent of the north face of Kohe Shakhawr, a Himalayan peak located on the border with Afghanistan, by mountaineers Benoît Mathieu, Jacques Soubis, René Thomas, Jean-Paul Paris, Isabelle Agresti, Henri Agresti, Roger Dietz, Jean-Pierre Frésafond, Paul Gendre, Claude Jager and Félix Magnin. As is often the case in Henri Agresti's films, there is an encounter with other peoples, other cultures, documented at length in the introduction. Then, after the interminable approach, the ascent begins: distribution of camps, successive assaults on the mountain, walking on steep scree and snowy slopes, climbing on icy walls... The arrival at the summit, without the aid of oxygen devices, seems to take place in slow motion: exhaustion mixes with the joy of the victorious mountaineers who will celebrate their success on their return to base camp on August 24, 1969.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
A journey through the parts of Afghanistan that don't normally feature in news coverage to meet some amazing people and see fascinating places. Lyse Doucet uses her many years experience in Afghanistan to show a different side of a country which has been at war for 30 years.
Documentary exploring the experience of Soviet soldiers during the Soviet war in Afghanistan.
An Iranian diplomat who miraculously survived Taliban's raid on the Iranian consulate in Mazar E Sharif (Afghanistan) narrates his 19 days of hide and escape to reach Iran's borders meanwhile on the other side, the Iranian troops are preparing for retaliation.
In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.