Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
Es geht um Alles
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.
The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.
Aivazovsky's paintings on historical Armenian themes. His works were not only on marine subjects. In this short we can also see the church of St. Sarkis, where the artist was baptized. He was married within the walls of this ancient temple, and his funeral service was held there in 1900. Modern photos of Armenia and Western Armenia, where Aivazovsky's ancestors were from, harmoniously complement the film. And at last, the picturesque views of Feodosia, the city where the artist lived and worked for many years.
Experience spectacular aerial and ground views and cultural revelations of a country like no other in a virtual tour of Mount Ararat, Khor Virap, Yerevan, the Genocide memorial, and more. Narrated by Andrea Martin, the documentary features prominent voices from the Armenian diaspora including Eric Bogosian, Chris Bohjalian, Peter Balakian, Michael Aram, and others.
An elaborate ceremony marks the opening of the first Armenian church in England.
More than one million Armenians perished between 1915 and 1916 in massacres or brutal deportation programs. Turkey still denies it ever happened. Laurence Jourdan examines massacres of Armenians in the decades leading up to the mass murder, and the geopolitical situation both before and after the genocide. Contemporaneous reports and documents written by Western diplomats stationed in the Ottoman Empire describe the methods used and the deportation routes. These accounts are mixed with personal stories from the living survivors and archive footage from Ottoman authorities.
Ever since the war in Nagorno-Karabakh, the still disputed territory is contaminated by landmines. This documentary follows five female de-miners on their risky job.
Humans transform the world. In a stone mine, huge majestic rocks are blasted into pieces and after passing through the stone processing line, they gradually transform into pebbles.
The Falcons is an intimate, observational documentary that delves into the world of the Tshakhruk Ethnoband, a remarkable musical ensemble in the Armenian highlands. Comprised of special-needs children that reside at the state orphanage, these young musicians find solace, strength, and self-expression through the transformative power of music.
In the early 1990's, as the Soviet Empire disintegrated, two former Soviet Republics, Armenia and Azerbaijan, squared off against each other over the fate of the 170,000 Armenians living in the small mountainous region of Nagorno-Karabakh. The war eventually claimed tens of thousands of lives and displaced close to a million people. By the time of the tenuous cease-fire, most of the enclave was in the hands of its longtime Armenian inhabitants. Dark Forest in the Mountains was shot on location in Nagorno-Karabakh and uses a mix of digital animation, live footage and expert interviews to tell the story of that region of the world, and the events that led up to the conflict. It also focuses on N.K.'s northernmost territory, Shahumian, and the partisans who manned its treacherous Gulistan Front.
This movie tells the story of the centuries of cross-stones and how firmly they stand on the face of the earth, but at the same time, people forget about them.
Garod means longing in Armenian. Longing for a land that lost its people. Longing for the homeland. Longing for a time that is eternally lost. “Garod” is a story of longing. It is about the lives and the musical stories of two Armenian musicians - a father and his son, Onnik Dinkjian and Ara Dinkjian. It tells the story of the remaking of a musical tradition and life in diaspora, passes through different geographies and countries following the traces of a musical tradition. In this documentary, Garod means not only longing for loss but also remaking of a musical tradition and the life itself.
Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
The Grammy-winning lead singer of System of a Down, Serj Tankian helps to awaken a political revolution on the other side of the world, inspiring Armenia's struggle for democracy through his music and message.