infinity

Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

A feature length autobiographical film showcasing the life story of Melody Contreras-Williams, famed Lyric Video Creator, Artist, and DJ.

Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition. She feels absent, and her frivolous glance catalogs each one of the small details of the journey that imprisons her every day. Her apathetic state is interrupted when she crosses an object outside the street and Eva is forced to finally face her demons.

Between a man and his lover lies a wall, between the man and the country he loves lies another wall. Can a one-sided dialouge breaks the walls and expresses the man’s feelings and sentiments? Or does the lover or the country wants the wall to be broken in the first place? This short was inspired by Amy Len’s dance choreography “Wall” and colloborated with Loh Bok Lai. The dance was originally choreographed for a performance in Japan Dance Wave Fukuoka ‘06 - Asian Contemporary Dance Now and later made into an experimental video combining elements of an actor and monologue. The video footages were also used for the dance piece itself in KL.

Follows various residents of the Chelsea Hotel in 1966 New York City.

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Fantaisie érotique

There is nothing left to do but complain.

A teenager decides to shut himself off from the world around him after receiving bad news.

Seb, mariachi musician by night and guitar teacher by day, is by all accounts, a failed artist. Like a ghost wandering through his own life, Seb follows outside expectations and comically drifts further away from his dream of becoming a songwriter.

Steadily reading while/becomes treading into murky waters.

The Simplicity of Two Lives Between the Riot of the World

WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.

Beyond all human restraint lies one's lugubrious layers of paint.

An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.

Created for the LA Guild of Puppetry's 48hr Puppet Film Project 2021, A Game of Fate is a short puppetry film that utilizes the project's theme (gratitude), object (wood), and action (laugh) to show the unique challenge Ernest faces and the game he must play to keep his life with the help of an unexpected ally.

Dialogue-free short detailing the daily tasks of a man and his wife.

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.