1986 Summer

You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.

Burn victims get to enjoy a family day at the beach thanks to an outing organized by the Association des grands brûlés.

Rainer Werner Fassbinder reflects on the various stages of his career, discusses how his motives behind filmmaking evolved up his film Despair.

This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.

Tommy Davis asks dentist Dr. Hendricks about his older brother Jim, a star halfback who failed his Annapolis dental examination. The doctor offers good advice, the kind one should share with his friends. Tommy invites his whole gang to hear Dr. Hendricks explain the importance of dental health and how dental disease can be controlled. Dr. Hendricks tells a fascinating story. He talks about mouth hygiene, dental care and the role foods play in protecting dental health. Tommy and his friends learn the facts, and the care of their teeth and health takes on a new, highly important light. As for Jim, he profits, too. The story ends on the note that dental health is essential in health generally, appearance and personality.

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

A box of stunning family photos awakens grief and lost memories as they are viewed for the first time on camera.

“My filming for The Suppliant was done in February 2003, while a guest in the Brooklyn Heights apartment of Jacques Dehornois. When I recollect the impulse for this filming, I remember my desire to show a spiritual quality united with the sensual in my view of this small Greek statue. I chose to reveal the figure solely through its blue early morning highlights and in the orange sunlight of late afternoon. After filming the statue, I walked down to the East River and continued to film near the Manhattan Bridge and the electrical works; then I returned to the apartment and filmed a few other details. I set this film material aside, while continuing to film and edit Pitcher of Colored Light, later I took it up twice to edit but could not find my way. Most of the editing was finally done in 2009; then I waited to see whether it was finished and found that it was not. In May 2010, I made several editing changes and created the soundtrack with thoughts of this friend’s recent death.” (RB)

The preservation and development of traditional folk crafts is in the hands of skilled individuals... Wicker Beauty presents portraits of those creators from among the holders of the title Bearer of the tradition of folk crafts, for whom the basic working material is various natural weaves. We will show baskets woven from pine bark, tying birch brooms or traditional products from willow wicker and also from pedig, which is a material obtained from tropical liana in Southeast Asia. The five award-winning manufacturers continue the legacy of old basket makers and, together with their families, maintain a tradition in their home workshops that continues from generation to generation.

My dad, Elvis

A boy from the desert tries to sell a sand rose in the big city.

Short documentary by Peter Fleischmann

Follows the journeys of four members at Headway East London’s Day Centre: Yoki, who began as a Headway member, now works with the charity, providing emotional support and advocacy to other brain injury survivors. Dave, a former chauffeur to the rich and famous, has embraced cooking and is developing his artistic talents. Margie, life and soul of the community, who spreads joy through her love for food and music, and Marie-Claire who has rebuilt her life after an aneurysm left her in a coma at forty.

Video by Croatian artist Sanja Iveković, a performative stripping of personal identity by the interpolation of excerpts from public service TV shows.

Ana and Claudia get trapped in a bathroom during the military occupation of the university. Claudia is caught by a soldier, leaving Ana alone for days in the bathroom, trying to survive and find hope. Based on the experiences of Alcira Soust during the military occupation of Ciudad Universitaria during the movements of 1968.

Experimental 8mm film by Karpo Godina.

Ashes

Experimental movie dedicated to the work of Ljubomir Šimunić, author of avant-garde seventies and eighties movies, and photographer. The Loop is about exploration of the eroticism phenomenon in the movie. This crossroad of Hollywood and European underground approach is shown trough the work of Belgrade garage movie author. Using the language of moving pictures author is searching for the missing shaman, a great master of magic - Šime.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Advertising short for Chevrolet combining live action and animation. The film relates the story of Gilbert Willoughby, who, exasperated by his stubborn boxspring mattress, imprudently wishes for the disappearance of springs. Coily, the animated spring sprite, grants his wish, and Gilbert is bedeviled by once-familar appliances that no longer function. Apolo­gizing to Coily, Gilbert acknowledges the contribution of springs to daily life, especially in the Chevrolet.