Why must a woman change her surname after marriage or divorce? This autoethnographic film explores the issue of women’s changing surnames in Turkey. Some women have taken their cases to the European Court of Human Rights to defend their legal and personal identities. What do men think about this? How do women feel? And what unfolds between the lines of these everyday experiences? The film seeks to make these struggles and emotions visible.
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
Agustina González. La zapatera que miraba a las estrellas
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
At a crossroads of borders in the Balkans, Sabina Talović, a feminist activist, faces the violence of a patriarchal system with unwavering resolve. From the Yugoslav wars to the racism of new nationalisms, her voice bears witness to how acts of solidarity are always completely different while remaining fundamentally unchanged. A humbly caring and sharp debut film by Marianna Giorgia Marchesini.
A film about what it means to be a woman cycling in different countries around the world. When Manon left to cycle from Brussels to Tokyo, she took a camera with her and met other women cyclists along the way. Hear their stories!
The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.
The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.
As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.
Let Me Run profiles six inspiring women, famous or anonymous, from yesterday or today, athletes or amateurs, who use sport to gain freedom, while tracing more than 150 years of women's struggle for access to sport.
Tres mujeres, un camino
Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.
In a world where technology and humanity intertwine, Tiffany, a self-aware feminist "sex robot", embarks on a journey of self-discovery. Conversing with leading experts, Tiffany confronts the issues that have shaped her design and asks about queerness concerning sex tech.
In this short documentary, we take a look at the history and future of roller derby in the Netherlands, while also touching on subjects such as image and the rise of men’s teams in this traditionally female sport. We tried to capture the Roller Derby culture with grungy 16mm film overlays and an eclectic mix of colors, switching from black and white, back to color. This, combined with the use of stock footage, the Whip It trailer and choice of music really help to sell the vibe and sensibilities of roller derby.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
A procession from Artists' Campaign to repeal the 8th Amendment of the Republic of Ireland.
Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.