Vending Machine

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

9th century China. Ten year old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.

A person attempts to rid their apartment of cat urine smell.

A person performs routine tasks and relaxing activities to fight a troubling zeitgeist.

A young couple is devastated when their son is killed by a falling tree during a windstorm. As the distraught father begins to look for answers into his son’s death, what appears to be a tragic accident turns out to have been the result of multiple blunders by multiple people.

A counselor/psychiatrist suspects a lingering case of phantosmia, a phantom smell, and possibly caused by a deep psychological fracture.

Sora and Umi (both played by Lee Tae-kyung) who were born to a Japanese father and a Korean mother and raised in South Korea. Sora now lives in Shanghai and works as an illustrator. When she meets a Japanese guy named Mochizuki, they become close. This is when her sibling Umi visits. Umi was born inter-sex and had undergone gender reassignment surgery to become a woman. Umi encourages Sora and Mochizuki to fall in love, but Sora becomes mentally unstable.

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.

A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.

An older brother who can't fit into society, a father who has given up on his future, and a younger sister who is tied to the house. This is the story of the small steps these three people take. The Great East Japan Earthquake suddenly changed the peaceful daily life of the people of Fukushima. Many people lost their homes and jobs due to not only the earthquake and tsunami, but also the nuclear accident, and left Fukushima. This is the story of a family living in the aftermath three years later, in Fukushima, where deep scars remain.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

Allie and Jacob are inseparable best friends, rambling on in between playing gigs for empty crowds. But when a dream job is set to separate them, tensions and emotions arise in unexpected ways.

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

The Yamadas are a typical middle class Japanese family in urban Tokyo and this film shows us a variety of episodes of their lives. With tales that range from the humorous to the heartbreaking, we see this family cope with life's little conflicts, problems, and joys in their own way.