Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
Seas the Day: The Sailing Movie is a genre-defying documentary that blends real-world adventure with deeply human storytelling. It transcends typical sailing documentaries by blending docu-fiction with a narrative inspired by Joseph Campbell’s classic The Hero's Journey. Directed by Ryan Luskin, an anthropologist and teacher, the film follows his family's quest across sixteen countries, learning life skills from diverse cultures.
The tombs of the grand lords of Moche civilization - one of Peru's most important pre-Hispanic civilizations -- are in constant danger from grave robbers, but archeologist Walter Alva has managed to find some priceless treasures and recreate the lives of this ancient people of northern Peru.
The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain essentially unchanged. This archival film reflects the social and cultural values and beliefs prevalent at the time of production.
In 1995, the Chilean state made a grave mistake when it detained Marcelina (68), an Indigenous spiritual authority, a machi of the Mapuche people. The police stripped her of her jewelry and traditional clothing and sent her to a men’s prison despite her identifying as a woman. She was unjustly accused of murdering a patient through witchcraft, triggering feelings that led her to leave her community, even after her innocence was proven. Thirty years later, Cons (34) delves into her story—into a world foreign to her—confronting lessons and prejudices she had never known.
Documentary that accompanies the exchange between the mestizo urban artist Xadalu and the filmmaker of the Mbya Guarani ethnic group Ariel Kuaray Ortega. As part of his artistic quest, Xadalu goes on an immersion in Guarani territory, accompanied by Ariel. While traveling between villages, Xadalu transforms his experiences into art. After this period, Xadalu travels spreading his work through the streets of several cities. Ariel accompanies him filming wherever they go. Xadalu introduces Ariel to a new world: the world of street art. United in the same fight for the indigenous cause, Xadalu and Ariel cross over for special places and experiences, while their relationship evolves and changes.
Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.
'Falas da Terra' sheds light on the plurality and the struggle of the indigenous people for the right to exist, in a historical rescue of valuing their cultures.
James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.
With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Documentary about the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.
From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
In 1974 a group of Mohawk Indians occupied a defunct girls camp in New York's Adirondack mountains and established a community they called Ganienkeh. Aiming to practice a more traditional lifestyle, and asserting aboriginal title to the land, they stayed for three years, having occasional violent clashes with the local residents. In 1977 they negotiated a (somewhat complicated) land swap with the State, and agreed to move to a permanent home near Plattsburgh, New York, where they remain today. Ganienkeh is one of the only examples of an indigenous people successfully reclaiming land from the United States, but it may not be the last.
Profile of the Crow Indian Mission in Lodge Grass, Montana.
A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture