Motian in Motion

A musical journey through Tokyo's Jazz Cafes.

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Weed. Marijuana. Grass. Pot. Whatever you prefer to call it, America’s relationship with cannabis is a complicated one. In his directorial debut, hip hop pioneer Fab 5 Freddy presents an unparalleled look at the racially biased history of the war on marijuana. A range of celebrities and experts discuss the plant’s influence on music and popular culture, and the devastating impact its criminalization has had on Black and Latino communities. As more and more states join the push to legalize marijuana, this documentary dives deep into the glaring racial disparities in the growing cannabis market.

On October 17, 1996, veteran and contemporary jazz greats gathered for a select soiree on the stage of New York's Carnegie Hall, saluting a guy more noted for making popular films than for making sweet music. But as any fan of Clint Eastwood, especially after he started directing 30 years ago, will attest, the award-winning star is also an inveterate jazz lover who has uniquely integrated that musical form into the scores of his films. Join Joshua Redman, Christian McBride, Flip Phillips, Charles McPherson, James Rivers, Slide Hampton, Hank Jones, Thelonious Monk Jr., the Kyle Eastwood Quartet, the Carnegie Hall Jazz Band and more for this scintillating celebration of film and music.

A feature-length documentary on the life and work of jazz musician and composer Krzysztof Komeda.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Documentary about legendary Swedish jazz club "Nalen" featuring interviews with old musicians and singers, and old clips from the place in its glory days

Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.

Wild Man Blues is a 1998 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others). Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years. Although Allen's European tour is the film's primary focus, it was also notable as the first major public showcase for Allen's relationship with Soon-Yi Previn.

Diana Krall | Live at the Montreal Jazz Festival

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

On the occasion of his 80th birthday, an intimate documentary follows the illustrious pianist and great French jazz musician, Alain Jean-Marie from Guadeloupe, on a recent trip to Cuba. He talks about his career, his adolescence, and his youth in Guadeloupe, where he was rocked and deeply influenced by Cuban music. Director Bertrand Fèvre followed this now essential artist in Havana, to be discovered or rediscovered through a film set to jazz.

Tenor saxophonist Jimmy McGary was a major presence in the Cincinnati music scene from the 1950s until his death in the early ’90s. With music rooted in Bebop with a progressive slant, the Jazz legend was a session player for King Records and released his first album as a bandleader — The First Time (with a quartet that included pianist Pat Kelly) — in 1979. McGary’s spirit and legacy have lived on well after his passing and well beyond Cincinnati, as evidenced in this new documentary film.

Imagine an AM Radio Station with a dawn to dusk license that played nothing but jazz and comedy records. Did I mention it FLOATED in the Ohio River and changed the culture of a Community? The history of Cincinnati Jazz is long, wide, diverse and in the case of WNOP sometimes beyond belief. Saxophonist turned filmmaker Christopher Braig's second Film will focus on the people, music, and cities that kept "The Jazz Ark" sailing for 42 years from 1968 to 2000.

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

A portrait of Norwegian poet Odd Børretzen in his own words, featuring musical highlights from Børretzen's work with musicians Alf Cranner and Lars Martin Myhre.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

The brilliant self-taught pianist Erroll Garner left his mark on jazz forever. His song Misty, which he allegedly composed between two concerts on an aeroplane, immediately became one of the great jazz standards and is still one of the most covered ballads in the world today. Who was the man behind the ever-friendly smile from the ghettos of Pittsburgh, whose talent brought him to the biggest international stages?

Fictional film with documentary elements about a jazz musician in Berlin.