Safety Net

Jules recently cashed out of a start-up company, and to keep busy, he's been writing stories about the better times from his past. He reconnects with Constance, an old flame from those days. She needs his help which takes him down a dark and mysterious road.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.

A retelling of the story of France’s iconic but ill-fated queen, Marie Antoinette - from her betrothal and marriage to Louis XVI at fifteen to her reign as queen at nineteen and ultimately the fall of Versailles.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

Over a year after the events that unfolded to Theo and Lila in the first Six. The voice has returned. In this sequel with more suspense, drama, and emotion you wont expect what happens.

A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.

MT RUSH - is the present as a near-future science fiction, chronicling the day-to-day activities of a lesbian Mt. Rushmore Park Ranger as she navigates an onslaught of interactive fundraising emails that appear on a transparent interface, leading up to the 2016 Presidential election. The narrative arc of the movie is based on the urgent, alarmist, and oddly personalized campaign and fundraising emails from the Democrats and Republicans (i.e. Hillary Has Been Emailing You… or WE QUIT: but we don’t want to quit). Serving as both narrator and foil to the ranger, the emails perform the pervasive political rhetoric in today’s systems of governance; while acting as a meditation on the National Park Service and politics.

Feride is on the way home after a party when she meets a group of singing young men in a wooden boat. When the boat runs into trouble they get unexpected help from Feride who, without her consent, is taken along on their nocturnal ride in Stockholm.

Gülcan and her husband İbrahim dream of a happy future together in their village. However, they are subjected to the cruelty of the Agha, the local landowner who lords over the entire village. İbrahim is fed up and moves to Germany to find work. On the other hand, Gülcan has to deal with Agha's evils alone.

In this Sufi tale, Nadia, a young Moroccan emigre returns from Paris to Fez to visit her dying father. At his funeral, she is overcome by the voice of mystic Kirana chanting the Koran. A powerful friendship develops between the two women as they decide to turn the father's palace into a shelter for Muslim women.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

A huge wave is about to destroy the city. Many people leave in panic, only a few remain in the lonely streets. Among them are SEBASTIAN, a skeptical and irresolute young loner; ANA, a woman who seeks in others the passion she can’t live; and an apocalyptic GIRL. They turn the city into a games board where the stakes are love and the end of the world.

Even though Migeum and Jeong-ah have been friends for many years, they always engage in the battle of nerves. The two head to Seoul together to meet their daughters but face an unexpected event during their journey.

In a tilting and subsiding town, everybody has left. Jae-ah is still waiting for her brother to come back. She lives in the shadow of fear, as her house begins to tilt.

She is on the way out of the house when she sees an envelope. Jamila’s family has received a rejection of their asylum application. She acts as if she doesn’t see it, takes her younger sister to school, and meets up with her friends. But everywhere she turns she sees them – the police.

Dad fights to get grandma out of bed. But grandma can’t, she just sleeps. Love just wants to play – to be part of things and be close.

Laura is a lawyer, she’s beautiful and has a nice boyfriend. But 15 years ago she was fat, bullied and without friends. Now she has come to terms with her bulimia. She is celebrating her first year abstinence.

A late night hook-up leads Shay and Adam to the bedroom. Before long, chit-chat gives way to passion. But something is missing from their interaction – something that is important to Adam, repellent to Shay – and it soon becomes a sticking point.