Fortuity

Agricultural officer Sachithanandan and his wife Shyama's life changes after his friend Jose visits to stay with them for few days.

A rising star at agri-industry giant Archer Daniels Midland (ADM), Mark Whitacre suddenly turns whistleblower. Even as he exposes his company’s multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion.

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

Denise lives with her grandparents on a farm and secretly meets Robert. When she tells her grandparents that she wants to marry Robert, they refuse outright, so the two lovers will have no choice but to elope and marry in the nearby town. On the eve of having a child, war breaks out and Robert is mobilized.

Shindo Yuya quits his job and joins the agriculture and forestry division of Takasaki City in Gunma Prefecture which is tasked with the regional revitalization of the local agriculture industry.

Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.

Five houses, one bus stop, cows and nothing but fields. 24-year-old Christin lives on the farm of her long-term boyfriend Jan. The exciting post-reunification years that defined her childhood are long gone. Her relationship is loveless. She keeps the cherry liqueur close at hand. In the shimmering heat of summer, time seems to stand still – until 46-year-old wind energy engineer, Klaus, arrives.

Emilio is a lifelong farmer in his eighties who lives alone on his abandoned farm. Everyone close is gone. One animal is all there is left. Today is the day he decides to sell it.

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

"Di Balik Layar" tells the story of Raka, Dika, Yaya, Vania, and Karin's struggle to make a romance film. Raka, a student with a lot of imagination, has the ambition to create a perfect romance film. However, his high expectations clash with reality. His selfishness and unwillingness to listen to input from his team, put his film project on the verge of failure. When everything starts to fall apart, Raka is forced to face a choice: to maintain his ego or to start working with his team. Will this film be realized or will it be destroyed before it is born? Then, what tensions and conflicts are created by "Behind the Scenes"?

After the death of his mother, a lonely farmer in rural Switzerland considers finally starting a family of his own. Eventually he pays for a bride from Thailand. The couple don't share a language, but being to know each other. However the village neighbors are suspicious of foreigners.

harming drama set in a rural area of post-war Iran. This heartwarming story follows a thoughtful young woman who serves as a leader to the community and a seemingly naive young man who is smitten with a local girl. The film observes their customs and traditions in the tranquil setting of their natural environment. Despite the irreparable damage to their lives due to the war, the villagers remain warm-hearted and kind to those they encounter. The past haunts their lives, but their hearts remain pure and strong in war torn times.

A group of young men kidnaps a politician-gangster, who is awaiting the results of an election. What are they after?

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

A group of civilians share a bus ride to Sampar, a town full of natural resources. It is heavily guarded by the state army who is fighting against the rebel militias, who want freedom over their homeland.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.

A family mediator tries to resolve a crisis situation in Joseph's household. Since Roxanne left him, he forbids her to see their son Mathieu, and slyly sequesters him in their country property. Numb in the silence and emptiness created by Roxanne's absence, Joseph and Mathieu rush over.