Bulgaria: Fire Dance Ritual

Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.

Ukonvaaja - The Hammer of Ukko - is a documentary film that focuses on ancient Finnish folklore and mythology.

Few musicians have made an impact throughout the decades as seismic as Bob Dylan. Retrace his journey, from humble folk beginnings in Hibbing, to the bustling electric Greenwich Village.

In Burma, many people believe in ghost spirits called NATs. They are said to possess the power to assist or devastate the lives of those who recognize them. A PWE is a ceremony held to appease a Nat. Pwes are arranged daily throughout Burma for many purposes including the achievement of success in business, a happy marriage, or improving one's health. A Nat is summoned through a Kadaw; the flamboyant and charismatic master of the Pwe dressed in elegant costume. The Kadaw is a spirit medium, dancer, storyteller, and magician who exposes the crowd to a living incarnation of the Nat brought forth through opening ritual and careful observance of tradition.

Morocco is a land of ingratiating variety and intense contrast. Its people are as diverse as its topography. The cosmopolitan Atlantic coast fuses with the Berber heritage of the northern Rif and Atlas mountain ranges as the ancient Saharan trade routes wind their way from the south into the city of Marrakech, where all points collide, creating a vibrant mixture of the traditional, the exotic and the supernatural.

Folk music of the Sahara is an intoxicating experience of sight and sound captured among the Tuareg and Libyan people of North Central Africa. Filmed from the perspective of actually being one of the performers, this mind-blowing IN YOUR FACE document captures the spirit of Libyan folklore and the essence of emotion armed with pounding rhythms and wailing vocal choruses. Both men and women are featured here equally as overseers of the hybrid forms of expression where central African traditions collide with the tones and colors of the Arab world creating one of the most unique overviews of Saharan folk music ensemble and dance the outside world has ever witnessed. The diversity of faces is extraordinary, every costume is stunning, and the women are among the most beautiful on earth.

Z Karviné do Carnegie Hall

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

The members of the Ayrudzi troupe travel across various villages of Armenia on horseback and put on folk song and dance concerts and shadow theatre performances for the locals.

In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk album Prairie Wind with old friends and family members. After the successful operation and recovery period, he returned to Nashville that August to play at the famed Ryman Auditorium, once again gathering together friends and family for this special performance.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont. Narrated by Alan Lomax. The Association for Cultural Equity’s Alan Lomax Archive channel on YouTube additionally streams outtakes from this film: other strong performances by Sheila Kay Adams, Dellie Norton, and Cas Wallin, Lawrence Eller, the Hickses, Algia Mae Hinton and John Dee Holeman, Tommy Jarrell, John “Doodle” Thrower, and Nimrod Workman.

Set in the North Carolina Appalachians, Sprout Wings and Fly honors the fiddle playing of 82-year-old Tommy Jarrell of Toast, NC. Tommy was quirky, gregarious and generous, and this film shows him at his best, in fine fiddling form.

The Balkans is home to an ancient pagan tradition where magic and mystery still have a sacred place in the cosmic order. The Kukeri festival has had a strong hold over Bulgarian cultural life since the fifth century, surviving the Ottomans, Christendom and communist rule. Every winter, hundreds of terrifying figures prowl snow-capped forests and village centers in search of evil spirits to dispel from their communities.

One of the best Bulgarian mountain runners – Kiril Nikolov, known as Disl, attempted to set a new record – to run through the longest and legendary Bulgarian mountain route – 600 km from the mountain peak of Kom on the west border to cape Emine on the Black Sea coast, in less than 5 days. Through steep mountain paths, pouring rain, and sticky mud, the glorious adventure takes him beyond the barriers of his own consciousness, facing hidden fears, pain and exhaustion. Tо the point where he has to make a tough choice – to quit or to push his will to the ultimate challenge, beyond his own limitations.

The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.

Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.

Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.

Laço de Fita