During the events of May 1968 in France, different worldviews of conflicting relatives collide in their family estate.
Guy Debord's analysis of a consumer society.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
After the war, the country is plagued by famine. The secretary party committee, Martin Kreka, leads a campaign to gather the grain that is sold in the black market.
A growing group of Dutch people in their twenties see the earth becoming less livable. They join the climate group Extinction Rebellion and campaign to fight the climate crisis. There is little they shy away from in their struggle: nightly campaigns, high-altitude actions, and even arrests or a criminal record. Everything for a better planet.
During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.
A young man goes home after a day of work.
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
Miti, an old worker, and Sokol, a young driver, undertake a long journey to transport a huge metallic tower from the Durrës harbor to an important plant.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party.
Luka Banjanin is an unemployed young man living with his parents in Belgrade. He hangs out with few devoted friends who, like him, are yet to find place in a society that discarded young intellectuals. He plays saxophone and dreams about going to Oktoberfest, the annual beer festival in Munich, but he's being unable to get passport because of a smaller drug incident he had in the past. Totally careless about his long-term girlfriend, he suddenly falls for a mysterious woman who seems to appear in the same places as him, and then vanishes as quickly as possible. Believing that he's at the wrong place at the wrong time, Luka wanders from one misadventure to another, gradually losing the contact with reality and living out his own Oktoberfest in his mind.
A young man confronts himself at 80.
A young man tunes his guitar while holding a telephone, having learned from his teacher that the beep sound of the phone is the same note as the “la” tone of the music scale. Having been discharged from the army following an accident that left him unfit for duty, he now picks up the phone for reasons other than social connection.
It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?
Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.
About a man and a woman who miss each other but cannot meet. Young-ho, a young man who took several tries to get into college, doesn't have any special goals in life, and starts exchanging letters with someone.
Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.
A film considered almost lost even by Garrel, who recently found his negatives. Shot during the events of the May 68, it was made collectively; the film is a merge of Garrel’s and his partners’ points of view, all of them students and filmmakers that participated in the revolt.
With his film Generation '68, the author makes a homage to the generation with which he shares his youthful enthusiasm and the idea about a revolution that will change the world, while being "realistic and demanding the impossible". At the same time he questions the true impact of these changes on social and - probably more important - private level. Having ideas is easy; making them look credible to the generations that follow is somewhat more difficult. By rejecting the ideals of the 1968 as unworkable, the new generations are coming up with some of their own, maybe even more unrealistic ones...