The Afternoon of a Bored Young Man

The zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.

An eccentric family is re-united during the 1968 general strike in France, after the death of the grandmother.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.

After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]

18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.

An unambitious young man named Vincent finds himself wandering through life. His meandering ways are interrupted when he starts to notice a strange man who seemingly appears everywhere he goes.

Fabian builds his house on an old cart that he will pull himself, with the plan to walk to Serbia. But then it turns out that building the cart in itself is quite a journey. Will the cart ever leave it's place?

Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Guy Debord's analysis of a consumer society.

From a marriage proposal to a broken condom, Fucking in love is an intimate journey based in New York, in the search of love and desire. A journey in flesh and emotion where submitting oneself to the other ignites an affirmation of the self.

After the war, the country is plagued by famine. The secretary party committee, Martin Kreka, leads a campaign to gather the grain that is sold in the black market.

The story revolves around certain interesting incidents in the life of an engineering student named Vivek.

During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.

It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?

In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.

Resolving to achieve professional success without compromising her ethics, Lucy embarks on a ruthless game of one-upmanship against cold and efficient nemesis Joshua, a rivalry that is complicated by her growing attraction to him.