Aus dem Leben der Inder

Several key words emerge from Hugo Pratt's work, inseparable from his life: travel, adventure, erudition, esotericism, mystery, poetry, melancholy... and of course, Corto Maltese, his hero and alter ego, who established him as one of the greatest names in comic books. Born in Italy in 1927 and dying in Switzerland sixty-eight years later, Hugo Pratt, born without an H and with only one T, grew up in the shadow of a fascist father who took him at a very young age to Ethiopia, which was occupied by Mussolini's forces. The teenager developed a fascination for the wide-open spaces of Africa, soon followed by an irresistible attraction to the Indian world. This was the starting point for a life of travel, success, conquests, rare failures, and marked by his veneration for the American cartoonist Milton Caniff, his absolute master.

A heavily edited look at a routine dog walk with 3 small pups.

From different perspectives, the viewer sees the appearance of the newly built Reichsautobahnen: Pictures from the lowlands, the Swabian Alb and many other places.

Twenty-five films from twenty-five European countries by twenty-five European directors.

George Albert Smith and Charles Urban snaffled the plum job of travelling to Italy to take a series of views of Italy for the Warwick Trading Company, including this one. The long panning shots of Pompeii linger respectfully, as a tourist would, before the camera finally raises its eye to the mighty volcano looming in the distance beyond.

The real story about the camel ride around Mallorca, that journalist Miguel Vidal and painter Gustavo Peñalver did in 1964. Sometimes truth is stranger than fiction. This is one of them.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

The “Painting Skills for Africa” association has been traveling to Rwanda for 10 years now. They support local institutions through social projects. They are painting schools, kindergartens and hospitals. Always at eye level with the journeymen and vocational students.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

Bronx, New York, November 2019

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Laci is almost ready for his great escape - standing in his way are his watchful parents, a depressed grandmother, and a cat who still has a lot to forgive.

Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.

A reflection on the beauty of the roads less traveled.

A married woman reflects on her painful past and wonders what she would say to her 15-year-old self if they ever met a quiet conversation between innocence and experience.

Drei Frauen

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.