Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
The play depicts the lives of seven people living in Mumbai, all with their own uniquely moving story. It tries to capture the essence of people living in the city through seven characters who have been strung together in a series of monologues. Stories about the ambitions of a child artist, the escape of a ridiculed wife into art, a single mother’s sacrifice of her life for the sake of her children, child abuse, a TV reporter’s regret of the media’s inability to celebrate positivism rather than sensationalism and negative news, a hilarious take on corruption by a broker and the west beckoning today’s youth are all interwoven. Each character, marked by failure and doubt are clearly self –censored. While they may communicate through candid expression, they subtly allude to greater truths.
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
As three cousins embrace the warmth of a new city, they also face challenges that transform their lives.
Orphaned at a very young age, Varsha Oberoi, lives a wealthy lifestyle with her paternal uncle, Jain Oberoi, in Bombay, and has traveled world-wide. She is in love with Vijay, a middle-classed young man, who runs a small furniture store, badly in debt, and lives with his widowed mom, a younger brother, Deepu, and sister, Nanhi, who are very friendly with Varsha. Then Vijay is reunited with his childhood friend, Vikram Chawla, who is welcomed with open arms by the entire family. It is then Vijay's life turns around, he starts getting a lot of orders, gets out of debt, is able to buy a jeep to replace his motorbike, and moves to a comfortable bungalow.
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
A hedonistic teenager in Mumbai is busted for dealing drugs and goes to his estranged sister for help, but complications land her in jail.
Boothnath vows to redeem himself when spirits tease him, and searches for a child to terrify. He befriends Akhrot, a slum kid, and helps him take on the country's most powerful politician.
Three restless cousins search for a way to achieve their dream of playing badminton in a little Indian town, overcoming obstacles such like the lack of a play area, the necessary equipment, having to go to work all day and dealing with a single mother and stuck-up neighbors.
An advocate faces heavy odds defending the brother of his sweetheart.
A man (Govinda) falls in love with a living mannequin (Karisma Kapoor), and each learn they were lovers in a previous life. Remake of the American movie Mannequin.
A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.
Home is an animated chronicle based on the lucid memories of the filmmaker’s 90 year-old-mother, Sheela Sabnani, who remembers and misses her two homes, her two fathers, her sewing machine, and the radio that were separated after the partition of India in 1947.
Ved is a young and single man who takes care of Ganga in the absence of her daughter Kala. They have quite a lot of fun together, but one day, Ved gets furious at Ganga when he receives some bad news. Will they make up again?
When a poverty-stricken has-been felon decides to renounce his life of crime upon meeting another runaway women, he seeks to embark on a new and domesticated chapter in his life. However, foes from his dark past threaten to disrupt his newfound life of peace.
Rajesh Khanna and Sharmila Tagore play the roles of estranged lovers and are busy sacrificing for each other.
In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.
A rich young man falls in love with a poor girl but his mother disapproves of their relationship. Meanwhile, a local goon also falls in love with the same girl.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.
Film starring Nishi Kohli and Paidi Jairaj.