The Olympean Collection is a visually poetic trilogy set against the vast landscapes of East Africa, following Daisy and a Boy Scout as their search for eternal youth spirals into a surreal odyssey of memory, loss, and transformation.
MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.
A Stone Story
A mentally unstable teen transforms himself into a clown to deal with and mask his own disturbing, nihilistic worldview and deteriorating mental health. the further the film continues, the more prominent his descent into madness becomes.
A young artist, Sofia - a photographer, wanders the streets at night with her camera. She's led by a mysterious graffiti artist through his written poetry on street walls and embarks upon a spiritual quest.
In the video art work "MERAHEFET" describes the world of a ghost, from her point of view floating over places that become a spring, a path that suggests a deep longing that is only revealed when the ghost stops for a moment to look out the window. This moment when she manages to take control of it, is flooded with flashes of mirrors that reveal to the viewer and the spirit what motivates her to continue her journey.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.
Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.
A Way Out
Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.
'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.
An experimental short where one's footsteps create sound on a piano, creaks and all.
Kappa, a woman in her 30s, finds herself in a facility that promotes social integration to individuals. Soon enough, she witnesses several attempts for interaction, which lead to a somewhat awkward reality. She therefore creates a survival mechanism and allows herself to get captivated within her fantasy world and reality. Caught into creating scenarios, she redefines communication as well as the borders of where a relationship starts and where it ends.
A father and son, affected by the tragedy at a railway station in Serbia, grieve in different ways.
One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.