They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work. The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.
The remarkable true story of Michael Cohen, a charlatan art dealer who swindled over $50 million from the art establishment before going on the run.
Why would two New York-based filmmakers dedicate five years of their lives to following three white, Jesus-loving, spandex-clad men from the Bible Belt, particularly when the world of documentary filmmaking has generated its fair share of films concerning sensationalistic religious expression and contact sports in recent years? Because it's not about wrestling, and it's not about Jesus. Against a bizarre and entertaining backdrop, and through a motley cast of characters, we are reminded of what connects us all, lest we forget what it means to be human.
For three teenage girls growing up in Kahnawake — and indeed, all teenagers on the reserve — life can be quite confusing. If they want to move away to pursue new experiences — perhaps in nearby Montreal — they risk losing credibility, or worse yet, their rights as Mohawk women. Of course, if they stay, their opportunities in the tiny community are limited. With insight, humour and heart, director Tracey Deer (who left Kahnawake to attend school and pursue filmmaking) returns to her community to follow these Mohawk girls and tell their stories. Her deeply emotional documentary reveals the complex hope, heartache and promise of growing up Indigenous in the 21st century.
In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.
Tuna are among the top predators in the oceans. But the hunter is also the hunted: many species are overfished. Can we use the riches of the oceans without destroying them?
Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.
Diana The Woman Inside highlights Diana as a woman and mother, rather than just a tragic icon.
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
From inside Bolivia's craziest prison a cocaine worker, a drug mule and his little sister reveal the countries relationship with cocaine.
The destiny of a happy Armenian family will change forever in 1915, Ottoman Empire, (Armenian land), now Turkey and whose beautiful dreams will become memories in the eyes of the most famous Armenian American painter, who lives to paint the story of his shattered childhood.
Renowned critics of Israeli policies – Noam Chomsky, Norman Finkelstein, Sara Roy and Robert Fisk – provide personal substance and historical perspective to their arguments in this impressive film by New Zealander Sarah Cordery.
Tara and Maya are inseparable, with the same tastes, habits, and hobbies. Years later, the two have matured but have maintained their friendship. Tara marries local prince Raj Singh, who succeeds the throne as the sole heir. After the marriage, Raj seeks another female to satisfy his sexual desires, with his sights settling on Maya, putting a perhaps unforgivable strain on a longtime friendship.
Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
Documentary portrait of the New York photographer Nan Goldin.
When twenty-six-year-olds Shainee Gabel and Kristin Hahn quit their Hollywood jobs, packed up a borrowed car and hit the road, it was with the deeply felt conviction that somewhere, shrouded in the din of talk shows and tabloid headlines, they'd discover the real America, alive and well in all of its regions and demographics.
Shot in Australia, USA, Italy, France, Germany, and Japan, Beyond the Wasteland follows the fans from around the world who go to extraordinary lengths in the name of Mad Max. Transporting us into the world of Mad Max, we explore the eccentric world of the fans, their costumes, and their machines as these oddball fans find their place amongst the Mad Max community. The documentary also follows original cast member, Bertrand Cadart as he continues his fight against stage IV leukemia and travels from his home on the Sunshine Coast to the “Wasteland,” the desert location of Mad Max 2 in Silverton, for the last time. Beyond the Wasteland not only celebrates life but the ability to change oneself through passion.
Muffins for Granny is a remarkably layered, emotionally complex story of personal and cultural survival. McLaren tells the story of her own grandmother by combining precious home movie fragments with the stories of seven elders dramatically affected by their experiences in residential school. McLaren uses animation with a painterly visual approach to move the audience between the darkness of memory and the reality that these charismatic survivors live in today.
Unable to serve in World War II because of a heart condition, a barber moves his family adjacent to a Wisconsin army base and prisoner-of-war camp to provide his services. But even in rural America -- far from the frontline -- the war finds victims.