Un viaje hacia nosotros

A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.

The relevant NGOs and the Spanish film industry have organized the First International Sahara Film Festival, with the official objective of bringing films to refugee camps for the first time for a few days. With a humorous tone and a self-critical intention, the aim is to include a range of shades of gray in a world dominated by black, white, and slogans.

This is the story of Buyema Abdelfatan, also known as Castro, an ex Saharan soldier that now a days runs a centre for disabled children in the refugee camp of Smara (Tindouf, Algeria). A personal project that has earned him both praise and criticism, but could not continue without his dedication, perseverance and humanitarian aid that he receives.

Women are the protagonists of this documentary. Girls and women of varied ages tell us the difficulties of living their whole lives in refuge and their desires for the future.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

25 minutes in the Sahara, is a snapshot of the 34 years of division in which resistance and justice for the Sahrawi community has played out. 1500 seconds of images and voices are heard from exile; voices that are not silent under occupation; that speak as immigrants and that hold their own as an international human platform. 1500 seconds to open and not close your eyes to the reality of these men and women, part of our History. A present of robbed freedoms, properties exploited and forgotten by those who hold the key to the globalisation of toture and repression. A bid, at the end of division, to grant the Right to a Future in the Present, from the West and democratic action in the name of the Sahara.

Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.

I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.

Yo sí te quise

From a chronological perspective, “Saharauis, entre la ocupación y el exilio” (2010) explains the origins and key points of the Western Sahara conflict, especially since Spain handed over the territory to Morocco and Mauritania. Based on the interviews with the main people affected by the conflict, among others, this documentary shows the Sahrawi fight for survival in a society and a culture that have been able to prevail in occupied territory as well as in the refugee camps of Tindouf (Algeria).

Featuring excerpts from diaries and letters written by local residents and soldiers from both sides, the documentary tells the story of the Battle of Stalingrad through the voices of those who lived it.

Ni una sola flor

A Palestinian grain miller in a Jordanian refugee camp safeguards her culture and shares her people’s history through food prepared with love, longing, and sumud—the Palestinian spirit of steadfastness.

During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

When a group of Eritrean refugees arrive in the small town of Härnösand there is a growing sentiment against them from the locals. 17-year old Sara Westin decides to found an anti-racist group to combat these feelings but when Sara and her best friend are murdered by Sara's Eritrean ex-boyfriend the feelings in the city reach a boiling point.

In 1945, beneath the oppressive shadow of the Francoist dictatorship, Juan, a university teacher assistant, meets Manuel during a chance encounter at night in a park. With their initial reservations, a complex love story unfolds between them, shaped by the turbulent political climate and the misunderstanding of those around them.

After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.

In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.

A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?