A Night at the Louvre: Leonardo da Vinci

Examines the history of the African kings from Kush who conquered Egypt and ruled over it for 1500 years through an exhibition at the Louvre.

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

Le rêve de Léonard : Les secrets du vol dans la nature

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Le Louvre déménage

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

The world’s museums are closed. What are you missing?  Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Leonardo da Vinci finds it difficult to pursue his own dreams while serving as the Duke's court artist, but young Roberto takes risks to convince the Master not to give up on his dreams. In this moving story of friendship, the Renaissance genius invents a flying machine and helps Roberto reach new heights.

The Mona Lisa Myth

Lucy Jarvis -- the plucky camerawoman known for becoming the first Westerner to film inside communist China -- breaks barriers once again with this exclusive look at the world-famous Musée du Louvre, a place that previously barred access to all filmmakers. Charles Boyer is your host on this personalized tour of the museum's most prized possessions, including works by da Vinci, Michelangelo, Vermeer and Van Eyck.

A portrait of the artist as a "sublime demon with the archangel's face", with an innovative musique concrète soundtrack.

Architect I.M. Pei speaks about his famous works, such as the addition to the Louvre in Paris, the East Wing of the National Gallery of Art in Washington, D.C., and the Meyerson Symphony Center in Dallas, Texas. Footage of these projects shows both interiors and exteriors. Various other experts comment on the impact and importance of Pei's work.

Leonardo da Vinci is considered by many to be one of the greatest artists who ever lived. Yet his reputation rests on only a handful of pictures - including the world's most famous painting, the Mona Lisa.

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice