Green Jail

By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

Director Miho Niikura examines the modern practice of tee (Okinawan karate), and its attractiveness to Westerners—some of whom travel thousands of miles to study the venerable martial art in its birthplace, Okinawa.

Argemira

Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

Coal miners are dying from the resurgence of an epidemic that could have been prevented. FRONTLINE and NPR’s joint investigation revealed the biggest disease clusters ever documented, and how the industry and the government failed to protect miners.

A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.

Back in the days, Choi Maggi an old lady accepted Kim Chunhee as her husband’s second wife to continue the family tree as she has lost her two sons in the past due to measles and typhoon. This story is more dramatic than any drama because even after the death of their husband they live together. The director does a good job in expressing the lives of these two old ladies without any exaggeration. The daily life and relationship of the two ladies eating, washing and working is described in a very detailed script. Through this film you will feel the eager echo of the proposition of life that exceeds the standard of happiness and misfortune. (KIM Youngjin)

Acclaimed documentarian John Walker catches the legendary Cape Breton Miner’s singing group The Men of the Deeps just as the last mines on the island are shut down. Featuring ravishing cinematography of Cape Breton, and plenty of music, Men of the Deeps is a deeply touching portrait of a culture that still survives despite the ultimate end of an industry, and a tribute to the men and the songs that kept things moving on the Island for almost two hundred years.

Black lung is a debilitating, incurable, and often fatal lung disease caused by exposure to coal dust. Great Britain recognized it as an occupational disease by the turn of the 20th century, but the American medical community still denied any relationship between exposure to coal dust and disabling lung disease until the late 1960s, when a movement of Appalachian coal miners, their families, and a few maverick doctors and politicians forced the nation to confront the issue of occupational disease and disability.

On the cusp of her 100th birthday, Risa Inglefeld looks back on a life full of hard knocks and shares her secrets to getting up again with joy and humor. A meditation on life, aging, love and the secret to living with joy.

This film is focused on elderly women spending their last years of life in a nursing home in Krakow. The discreet heroine of the film is an elderly lady whose check-in is recorded by the camera. Thanks to this, we gain access to intimate situations, for example a sudden acceleration of the heartbeat in the middle of the night. The camera follows the women around the clock, starting from their morning prayer.

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

“Behind time, time comes” interlaced with folk songs, narrates the rhythms of rural life, where time and its weight, shape and define the landscape, as well as the lives that compose it. Accompanying the reminiscences of a group of women from the parish of Dornelas, Sever do Vouga, Portugal.

Journey to Kailash

About an elderly woman in a country house, spending time with her only companion, a goat.

This work was created to commemorate the reversion of Okinawa to Japan.

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

The documentary features the British miners and their family experiences told through songs, poems, pictures and words.