Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Hannas baby
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
Documentary about the life and career of a comic genius, Peter Sellers.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
Two councils with two different approaches to LGBT rights.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.
The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.
A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.
Like it or not, porn is here and it is harmful. In this controversial film, award-winning filmmaker Justin Hunt dissects the impact of pornography on societies around the globe, from how it affects the brain of the individual, to how modern technology leads to greater exposure to youth, to watching it literally tear a family apart. In what may well be one of the most devastating issues in modern culture, this film will break down the damage that porn is doing to us a human race and leave you thinking that it's clearly time that we start taking porn addiction a bit more seriously.
Kryptonite
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.