Over the Brink: The Story of the Cardiac Kidz

Portrait of Debbie Harry, co-founder of Blondie, punk rock pioneer, that was one of the few feminine icon in rock music at that time.

Roach and Starbuck, two hardcore punks from Montreal, try to form their own political party, but run out of time due to Canada's electoral process. Instead, they decide to campaign for political office as independent candidates in a rich Montreal district called Outremont.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Adults meet up with the people who changed their lives twenty years ago by confronting them about their lifestyles as teenagers.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

Joe Jackson Live at Hatfield Polytechnic, UK. 29 November 1979. Introduction 1) SUNDAY PAPERS (00:26) 2) ONE MORE TIME (05:22) 3) FRIDAY (08:12) 4) IT’S DIFFERENT FOR GIRLS (12:25) 5) DON’T WANNA BE LIKE THAT (16:06) 6) HAPPY LOVING COUPLES (19:45) 7) I’M THE MAN (24:11) 8) GOT THE TIME (29:20) 9) IS SHE REALLY GOING OUT WITH HIM? (33:30) 10) COME ON (outro) (38:37)

At East London's LSO St Luke's, singer-songwriter Nick Lowe performs a set comprising of familiar songs from his long and illustrious career alongside new songs from his latest album At My Age. He's joined by a specially assembled band including longtime cohorts Robert Treherne on drums and Geraint Watkins on keys, plus a horns section featuring legendary bandleader and trombonist Chris Barber.

David Hepworth introduces part of a live concert by Squeeze from 1982 at the Regal Theatre in Hitchin, Hertfordshire.

After fifteen years of unconventionally kinetic stage antics (sometimes involving fire breathing, on-stage raffles, and a guy named "Dirty" who was essentially the band's resident cheerleader), the band gave their bittersweet farewell performance for an army of costume-clad fans - some of which even flew in from other countries - on their favorite day of the year to perform, Halloween. And here you have it, the band's final live performance from San Diego's Westin Hotel Ballroom, marking the end of an era and the affirmation of their cemented presence in the slightly emptier world of rock n' roll. Filmed Oct. 31st 2005 in San Diego, CA.

A documentary about the record industry, told from the perspective of the art department. With over 40 interviews comprised of 3 generations, top creators of their day talk about the development of the art synonymous with the music you know and love. From The Beatles' Abbey Road and The Eagles' Hotel California to Pink Floyd's Dark Side of the Moon and Nirvana's Nevermind, hear the stories behind the most memorable art in music history.

Legendary singer Daniel Santos lives in Ocala, Florida, and prepares his biography with Secre, a young journalist. The memory of past glories makes him embark on one more adventure: a tour of South American countries where he was known as “El Jefe” (The Chief) and where he expects to be yet again acclaimed and applauded.

The following bonus footage is from June 27th, 1993 - GG Alin's last day on earth. It includes his final concert at The Gas Station in New York City, followed by a mini riot and GG's quest for drugs after the show. This is a film. It includes a little live footage (just like "Hated", but it's a documentary). Bonus documentary from the "Hated: GG Allin and the Murder Junkies" DVD. These are the last images captured by GG Allin alive.

This DVD, a unique collection of the visual works of Elvis Costello, boasts a grand total of 27 videos and includes material rarely seen since the original release of the singles they supported. From his first Radar Records single in 1978, "I Don't Want To Go To (Chelsea)," to his final video for Warner Bros., "13 Steps Lead Down" (from 1994's Brutal Youth), this is a must purchase for all serious Elvis Costello enthusiasts and fans alike.

I tva punkhjartan

Rock'n'roll was a man's world they say. The film documents the often ignored female impact on rock's history, from the groundbreaking guitar stylings of Memphis Minnie and Sister Rosetta to the gnarly singing of Big Mama Thornton. Musicians as different as Suzi Quatro and Kristin Hersh tell about their experiences on and off the grid of stardom and the music industry.

In the summer of 2002, blink-182 invited little-known band Kut U Up to accompany them, Green Day and Jimmy Eat World on The Pop Disaster Tour.

World reference of the disco with 400 million albums sold, unforgettable titles like Waterloo, Mamma Mia ! or Dancing Queen, ABBA is a real planetary success. For 50 years, the world has been dancing to the rhythm of this mythical group. One year after the release of their new album, Agnetha, Björn, Benny and Anni-Frid meet again in a documentary that retraces the recipe of their incredible longevity. Between musicals, movies and concerts with their holograms, ABBA reveals the secret of their eternity.

Documentary about fetish clothing scene in 70s Britain.

A documentary about the making of John Lennon's seminal solo debut album, "Plastic Ono Band," featuring historical analysis and playbacks of the original multi-track session tapes. Includes interviews with the musicians and personnel involved with the recording sessions as well as Lennon's widow Yoko Ono and other associates of the Lennons.

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.