K2: The Impossible Descent

The first filmed winter ascent of the north face of the Matterhorn. To set the scene, the tragic story of Edward Whymper's first ascent is skillfully pieced together. The modern expedition, a team of three British climbers, is also plagued with epics: Eric Jones is hit by an avalanche and can only come to a dangerous stop at the edge of a 1000 foot drop. Then the worst storm ever recorded in Zermatt hits the Matterhorn. With time and weather against them, the team is forced to climb in the dark as thunderstorms rumble around them. This adventure captures the skill and courage of the climbers, their agony and tension, and the beauty of the assault on this spectacular mountain. Grand Prize at the Les Diablerets festival (Switzerland) in 1976.

Twelve talented young mountaineers, five geologists from the University of Lausanne and four mountain guides take an unprecedented risk in Patagonia. Trained by the great climbers Ralf Weber, Ueli Steck, Denis Burdet and David Fasel, the young people are collecting rock samples from the granite walls of the Paine Towers, which are up to 1000 meters high, on behalf of science. The challenges are enormous: Climbing a big wall at the highest level of difficulty, cloudy weather, relentless wind that tears at material and nerves - and an urgency that also pushes the group to their emotional limits. "Flying High" not only documents an extraordinary undertaking, but also shows up close what happens when something happens that can happen after every meter of altitude climbed: a fall.

The French High Mountain Military Group (G.M.H.M.) expedition to Everest in 1981, led by General Pierre Astorg, took place on the north face of the mountain. Fifteen military climbers participated in this expedition, which lasted approximately ninety days. Their goal was to reach the summit by following a siege approach, but despite their efforts, the expedition failed to reach the summit. The French military, engaged since the beginning of March on the north face of Everest (8,848 meters), gave up less than 300 meters from the summit. The climbers, Jean-Claude Mosca, Hervé Sachetat, and Hubert Giot, gave up on setting up Camp 7, the last planned intermediate camp, at 8,600 meters. Poor weather conditions and the physical condition of the expedition members were the reasons for the failure of this meticulously prepared expedition...

"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.

What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.

In the 1950’s the United States government restricted a 6 by 10 mile block of land somewhere north of Las Vegas. Although the government will not discuss this top secret facility, it has been consistently associated with UFO sightings and conspiracy stories. The reasons for the cover up of alien activity is unclear, but one thing is for sure, the government will do everything in their power to stop the public from knowing the truth. The most probable explanation is that mass panic would ensue if the public knew we were being visited by beings far superior to ourselves. In 1999, TGR exposes AREA 51, a 16mm jib flick that shows skiing’s new generation going bigger than ever and pulling the sickest tricks imaginable. Filmed at competitions and sessions around the globe, this movie has it all.

Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.

For a century and a half, mountain images by their beauty have largely gained from its influence, its frequentation and its development. But they are also a tool in the service of science, fixing the transformation of landscapes, habitats... Over 150 years, the Tairraz dynasty photographed the mountain. Four generations of photographers have magnified the Mont-Blanc massif. From the first photograph taken at the summit of Mont-Blanc in 1861 to the present day, this art is at the origin of many mountaineering vocations and has largely contributed to the tourist development of these formerly ignored valleys. Here is the wonderful story of a dynasty of photographers, the Tairraz, which stretches from 1861 to the dawn of the 2000s.

The dramatic story of the British expedition that made the first ascent of Everest. Combining interviews with the surviving members of the 1953 British and 1952 Swiss attempt on Everest with rare archival material, this film tells the story of the race to climb Everest in the early 1950s and its climax in 1953.

Transcending cultural barriers and consistently going against the grain, female Nepali climber Pasang Lhamu Sherpa attempted to summit Everest four times in the early nineties. Although she was not allowed to attend school as a child, Pasang did not let that stop her from pursuing her dreams. After founding her own trekking company in Kathmandu, she blazed a trail for Nepali women via her efforts to summit Everest. Proving how big you can dream and how far you can go to achieve those dreams, she left a legacy not only for the family she has left behind, but for the myriad women following in her footsteps.

One of the Columbia Valley's most accomplished legends, Leo Grillmair. The film tells the stories of his upbringing in Austria during the 1930s, up to the creation, with Hans Gmoser, of the Canadian Mountian Holidays, the world's first heli-skiing company.

L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.

History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.

In 2004, the French Soulflyer team of Loic Jean-Albert, Val Montant and Pierre Desmet aimed to fly over many of the planet's emblematic summits. The rides in this film combine snow, mountains and high altitude with BASE jumping, wing suits, skydiving, and skiing – on Mont Blanc on the French-Italian border, and on Mount Fuji in Japan.

Gaston Rébuffat is part of the history of mountaineering. Marseillais prodigy, high mountain guide of the Chamonix guide company and famous for the ascent of the most famous north faces: some are 1st rehearsals, others 1st French or 1st as a guide. Filmed by Georges Tairraz, this masterpiece released in 1955 reveals the beauty of effort and the pleasure of sharing in the mountains. Apart from the feat, the mountains are not there to satisfy egocentric ambitions. A classic !

The "Lyon Premier 8000-Gasherbrum II 8035m" expedition, organized and led by Jean-Pierre Frésafond in 1975, was sponsored by the Lyon section of the Club Alpin Français and by Louis Pradel, Mayor of Lyon. The film traces the departure from Lyon of Berliet heavy trucks loaded with equipment, daily life in Pakistan, preparation for the expedition and the approach march with the porters, daily life at the base camp and in the camps. altitude of the members of the expedition: L. Audoubert, Marc Batard, F. Bourbousson, A. Chariglione, J. Dupraz, J.J. Forrat, H. and JP. Frésafond, B. Macho, Doctor A. Raymond, Y. Seigneur, J. Soubis, F. Valençot, B. Villaret de Chauvignypuis. Finally On June 18, 1975, Yannick Seigneur and Marc Batard reached the summit by opening a route along the south ridge. Bernard Villaret de Chauvigny, who was killed during the second assault, was the first victim of the Gasherbrum.

Documentary about eating disorders among professional climbers

Join the Big Mountain Soul group on an extraordinary journey through the breathtaking landscapes of Morocco, carving new trails in the world of Ski Mountaineering. On a mission to spread the message that the mountains are for everyone, the Big Mountain Soul group takes the emotional journey to motherland Africa. Challenging perceptions, redefining the spirit of adventure and cultural connection.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.